{"count":17752,"next":"http://admin.kavishala.in/sootradhar/authors/?format=json&page=623","previous":"http://admin.kavishala.in/sootradhar/authors/?format=json&page=621","results":[{"id":569,"image":"https://kavishalalab.s3.ap-south-1.amazonaws.com/sootradhar_author/220px-Prasoon_Joshi_Cropped.png","name":"Prasoon Joshi","bio":"<p>Prasoon Joshi (born 16 September 1971) is an Indian lyricist, screenwriter, poet, and marketer. He is the CEO of McCann World group India and Chairman APAC (Asia Pacific), a subsidiary of the global marketing firm McCann Erickson. He was appointed as the Chairperson of the Central Board of Film Certification on 11 August 2017.</p>\r\n<p>Prasoon has received the Filmfare Best Lyricist Award three times, in 2007 and 2008 and again in 2014 for the Hindi movie Bhaag Milkha Bhaag. He has also received the National Film Award for Best Lyrics twice, for his work in Taare Zameen Par (2007), and Chittagong (2013).[1] He was awarded Padma Shri by the Government of India in 2015, for his contributions towards the field of Arts, Literature and Advertising.[2] He is one of the trustees of IGNCA, a member of Nehru Memorial Museum &amp; Library Society Panel and is among the select 120 members of the National Committee for Commemoration of 150th Birth Anniversary of Mahatma Gandhi.</p>\r\n<p>Global and national recognition<br />In 2008, he was invited as the Cannes Jury chairman and in 2009, he was named among the exclusive 10-member Cannes Titanium and Integrated Jury at the Cannes Lions International Advertising Festival. In 2006, he was chosen a 'Young Global Leader 2006' by the Forum of Young Global Leaders, an affiliate of the World Economic Forum, In 2007, he was asked to be a judge of the nationally popular reality singing competition Dhoom Macha De on NDTV Imagine. Joshi was part of the select three-member Core Creative Advisory Committee for the Commonwealth Games 2010 opening and closing ceremonies, with Shyam Benegal and Javed Akhtar.</p>\r\n<p>&nbsp;</p>","raw_bio":"Prasoon Joshi (born 16 September 1971) is an Indian lyricist, screenwriter, poet, and marketer. He is the CEO of McCann World group India and Chairman APAC (Asia Pacific), a subsidiary of the global marketing firm McCann Erickson. He was appointed as the Chairperson of the Central Board of Film Certification on 11 August 2017.   Prasoon has received the Filmfare Best Lyricist Award three times, in 2007 and 2008 and again in 2014 for the Hindi movie Bhaag Milkha Bhaag. He has also received the National Film Award for Best Lyrics twice, for his work in Taare Zameen Par (2007), and Chittagong (2013).[1] He was awarded Padma Shri by the Government of India in 2015, for his contributions towards the field of Arts, Literature and Advertising.[2] He is one of the trustees of IGNCA, a member of Nehru Memorial Museum & Library Society Panel and is among the select 120 members of the National Committee for Commemoration of 150th Birth Anniversary of Mahatma Gandhi.   Global and national recognition In 2008, he was invited as the Cannes Jury chairman and in 2009, he was named among the exclusive 10-member Cannes Titanium and Integrated Jury at the Cannes Lions International Advertising Festival. In 2006, he was chosen a 'Young Global Leader 2006' by the Forum of Young Global Leaders, an affiliate of the World Economic Forum, In 2007, he was asked to be a judge of the nationally popular reality singing competition Dhoom Macha De on NDTV Imagine. Joshi was part of the select three-member Core Creative Advisory Committee for the Commonwealth Games 2010 opening and closing ceremonies, with Shyam Benegal and Javed Akhtar.    ","slug":"prasoon-joshi","DOB":"1971-09-16","DateOfDemise":null,"location":null,"url":"/sootradhar/prasoon-joshi","tags":"","created":"2023-09-22T12:50:26.400016","is_has_special_post":true,"is_special_author":false,"language":4},{"id":570,"image":"https://kavishalalab.s3.ap-south-1.amazonaws.com/sootradhar_author/Rais_Amrohvi.jpg","name":"Rais Amrohvi","bio":"<p>Rais Amrohvi (Urdu: رئیس امروہوی&lrm;), whose real name was Syed Muhammad Mehdi (12 September 1914 - 22 September 1988 ( was a Pakistani scholar, Urdu poet and psychoanalyst and elder brother of Jaun Elia. He was known for his style of qatanigari (quatrain writing). He wrote quatrains for Pakistani newspaper Jang for several decade. He promoted the Urdu language and supported the Urdu-speaking people of Pakistan. His family is regarded as family of poets.</p>\r\n<p>The Sindh Assembly passed The Sind Teaching, Promotion and Use of Sindhi Language Bill, 1972 that created conflict and language violence in the regime of Prime Minister Zulfikar Ali Bhutto, he wrote his famous poem Urdu ka janaza hai zara dhoom say niklay (It is the funeral of Urdu, carry it out with fanfare). He also intended to translate the Bhagavad Gita into standard Urdu.</p>\r\n<p>Early life<br />Amrohvi was born on 12 September 1914 in Amroha, India. He migrated to Pakistan on 19 October 1947 and settled in Karachi. He was known for his style of Qatanigari (quatrain writing). For several decades he published quatrains for Pakistan's daily newspaper, Jang. He was also a supporter of the Urdu language and the Urdu-speaking people of Pakistan. He established an institution Raees Academy where writers were trained in emotional and moral values.</p>\r\n<p>He also published a number of books on the topic of metaphysics, meditation, and yoga.He was assassinated by virtue of his faith on 22 September 1988 by an extremist religious militant group.</p>\r\n<p>Publications<br />Poetry</p>\r\n<p>Alif<br />Masnavi Lala-e-Sehra (1956)<br />Pase Ghubar (1969)<br />Qattat - I (1969)<br />Qattat - II (1969)<br />Hikayaat (1975)<br />Ba-Hazrat-e-Yazdaan (1984)<br />Malboos-e-Bahar (1983)<br />Aasaar (1985)<br />Kulliyat<br />Naseemus sahar<br />Zameer e khama<br />Other</p>\r\n<p>Muraqabah<br />Ma'badun-Nafsiyaat (Parapsychology)<br />Nafseyaat-o-Mabaad-an-Nafseyaat (3 vols)<br />Ajaib-e-Nafs (4 vols)<br />Le Sans Bhi Ahista (2 vols)<br />Jinseyaat (2 vols)<br />Aalam-e-Barzagh (2 vols)<br />Hazraat-e-Arwah<br />Hypnotism<br />\"Tawajjuhaat\" (2 volumes)<br />\"Jinnaat\" (2 volumes)<br />\"Aalam-e-Arwah\" (2 volumes)<br />Almiye e mashraqi Pakistan<br />Achche Mirza<br />Ana minal husain</p>","raw_bio":"Rais Amrohvi (Urdu: رئیس امروہوی‎), whose real name was Syed Muhammad Mehdi (12 September 1914 - 22 September 1988 ( was a Pakistani scholar, Urdu poet and psychoanalyst and elder brother of Jaun Elia. He was known for his style of qatanigari (quatrain writing). He wrote quatrains for Pakistani newspaper Jang for several decade. He promoted the Urdu language and supported the Urdu-speaking people of Pakistan. His family is regarded as family of poets.   The Sindh Assembly passed The Sind Teaching, Promotion and Use of Sindhi Language Bill, 1972 that created conflict and language violence in the regime of Prime Minister Zulfikar Ali Bhutto, he wrote his famous poem Urdu ka janaza hai zara dhoom say niklay (It is the funeral of Urdu, carry it out with fanfare). He also intended to translate the Bhagavad Gita into standard Urdu.   Early life Amrohvi was born on 12 September 1914 in Amroha, India. He migrated to Pakistan on 19 October 1947 and settled in Karachi. He was known for his style of Qatanigari (quatrain writing). For several decades he published quatrains for Pakistan's daily newspaper, Jang. He was also a supporter of the Urdu language and the Urdu-speaking people of Pakistan. He established an institution Raees Academy where writers were trained in emotional and moral values.   He also published a number of books on the topic of metaphysics, meditation, and yoga.He was assassinated by virtue of his faith on 22 September 1988 by an extremist religious militant group.   Publications Poetry   Alif Masnavi Lala-e-Sehra (1956) Pase Ghubar (1969) Qattat - I (1969) Qattat - II (1969) Hikayaat (1975) Ba-Hazrat-e-Yazdaan (1984) Malboos-e-Bahar (1983) Aasaar (1985) Kulliyat Naseemus sahar Zameer e khama Other   Muraqabah Ma'badun-Nafsiyaat (Parapsychology) Nafseyaat-o-Mabaad-an-Nafseyaat (3 vols) Ajaib-e-Nafs (4 vols) Le Sans Bhi Ahista (2 vols) Jinseyaat (2 vols) Aalam-e-Barzagh (2 vols) Hazraat-e-Arwah Hypnotism \"Tawajjuhaat\" (2 volumes) \"Jinnaat\" (2 volumes) \"Aalam-e-Arwah\" (2 volumes) Almiye e mashraqi Pakistan Achche Mirza Ana minal husain","slug":"rais-amrohvi","DOB":"1914-09-12","DateOfDemise":"1988-09-22","location":null,"url":"/sootradhar/rais-amrohvi","tags":"","created":"2023-09-22T12:50:27.417936","is_has_special_post":true,"is_special_author":false,"language":4},{"id":572,"image":"https://kavishalalab.s3.ap-south-1.amazonaws.com/sootradhar_author/Beohar-Rajendra-Simha.png","name":"Beohar Rajendra Simha","bio":"व्यौहार राजेन्द्र सिंह (14 सितम्बर 1900 - 02 मार्च 1988 जबलपुर) हिन्दी के मूर्धन्य साहित्यकार थे जिन्होने हिन्दी को भारत की राजभाषा बनाने की दिशा में अतिमहत्वपूर्ण योगदान दिया। फलस्वरूप उनके ५०वें जन्मदिन के दिन ही, अर्थात 14 सितम्बर 1949 को, हिन्दी को राजभाषा के रूप में स्वीकार किया गया। व्यौहार राजेन्द्र सिंह ने हिंदी के लगभग 100 से अधिक बौद्धिक ग्रंथों की रचना की, जो सम्मानित-पुरस्कृत भी हुईं और कई विश्वविद्यालयों के पाठ्यक्रमों में अनिवार्य रूप से संस्तुत-समाविष्ट भी की गईं।\r\n<br>\r\nगोस्वामी तुलसीदास की समन्वय साधना (1928),<br>\r\nमहात्मा जी का महाव्रत (1935),<br>\r\nत्रिपुरी का इतिहास (1939),<br>\r\nहिंदी गीता (1942),<br>\r\nआलोचना के सिद्धांत (1956),<br>\r\nहिंदी रामायण (1965),<br>\r\nसावित्री (1972)\r\n<p><strong>हिंदी दिवस का इतिहास और पृष्ठभूमि&nbsp;</strong></p>\r\n<p>हर वर्ष 14 सितंबर को हिंदी दिवस मनाया जाता है। 14 सितंबर, 1949 को संविधान सभा ने एक मत से यह निर्णय लिया कि हिंदी ही भारत की राजभाषा होगी। इस निर्णय के महत्व को प्रतिपादित करने और हिंदी को हर क्षेत्र में प्रसारित करने के लिए 1953 से भारत में 14 सितंबर को हर वर्ष हिंदी दिवस मनाया जाता है। हिंदी को यह दर्जा इतना आसानी से नहीं मिल गया। इसके लिए लंबी लड़ाई चली थी, जिसमें व्यौहार राजेंद्र सिंह ने अहम भूमिका निभाई थी। अंतत: व्यौहार राजेंद्र सिंह के 50वें जन्मदिवस अर्थात 14 सितंबर, 1949 को हिंदी को भारत की राजभाषा का दर्जा मिला।</p>","raw_bio":"व्यौहार राजेन्द्र सिंह (14 सितम्बर 1900 - 02 मार्च 1988 जबलपुर) हिन्दी के मूर्धन्य साहित्यकार थे जिन्होने हिन्दी को भारत की राजभाषा बनाने की दिशा में अतिमहत्वपूर्ण योगदान दिया। फलस्वरूप उनके ५०वें जन्मदिन के दिन ही, अर्थात 14 सितम्बर 1949 को, हिन्दी को राजभाषा के रूप में स्वीकार किया गया। व्यौहार राजेन्द्र सिंह ने हिंदी के लगभग 100 से अधिक बौद्धिक ग्रंथों की रचना की, जो सम्मानित-पुरस्कृत भी हुईं और कई विश्वविद्यालयों के पाठ्यक्रमों में अनिवार्य रूप से संस्तुत-समाविष्ट भी की गईं।\r  \r गोस्वामी तुलसीदास की समन्वय साधना (1928), \r महात्मा जी का महाव्रत (1935), \r त्रिपुरी का इतिहास (1939), \r हिंदी गीता (1942), \r आलोचना के सिद्धांत (1956), \r हिंदी रामायण (1965), \r सावित्री (1972)\r  हिंदी दिवस का इतिहास और पृष्ठभूमि    हर वर्ष 14 सितंबर को हिंदी दिवस मनाया जाता है। 14 सितंबर, 1949 को संविधान सभा ने एक मत से यह निर्णय लिया कि हिंदी ही भारत की राजभाषा होगी। इस निर्णय के महत्व को प्रतिपादित करने और हिंदी को हर क्षेत्र में प्रसारित करने के लिए 1953 से भारत में 14 सितंबर को हर वर्ष हिंदी दिवस मनाया जाता है। हिंदी को यह दर्जा इतना आसानी से नहीं मिल गया। इसके लिए लंबी लड़ाई चली थी, जिसमें व्यौहार राजेंद्र सिंह ने अहम भूमिका निभाई थी। अंतत: व्यौहार राजेंद्र सिंह के 50वें जन्मदिवस अर्थात 14 सितंबर, 1949 को हिंदी को भारत की राजभाषा का दर्जा मिला।","slug":"beohar-rajendra-simha","DOB":"1916-09-14","DateOfDemise":"1988-03-02","location":"Jabalpur, India","url":"/sootradhar/beohar-rajendra-simha","tags":"","created":"2023-09-22T12:18:43.327215","is_has_special_post":false,"is_special_author":false,"language":4},{"id":574,"image":"https://kavishalalab.s3.ap-south-1.amazonaws.com/sootradhar_author/akhtarul-iman.png","name":"Akhtar ul Iman","bio":"<p>Akhtar ul Iman (1915&ndash;1996) was a noted Urdu poet and screenwriter in Hindi cinema, who had a major influence on modern Urdu nazm.<br />He won the Filmfare Award for Best Dialogue in 1963 for Dharmputra and 1966 for Waqt. He was awarded the 1962 Sahitya Akademi Award in Urdu, for his Poetry Collection, Yadein (Memories), by Sahitya Akademi, India's National Academy of Letters.</p>\r\n<p>Career<br />He left behind a substantial legacy for new generation of poets to follow which explores new trends and themes in modern Urdu poetry giving a new direction to the modern and contemporary Urdu nazm with emphasis on philosophical humanism.</p>\r\n<p>Works<br />Books<br />&bull; Iss Aabad Kharabe Mein (Urdu)-published by Urdu Academy, Delhi, India. Autobiography of a famous Urdu writer of India.</p>\r\n<p>Poetry<br />He has published eight collections:</p>\r\n<p>Girdaab (1943)<br />Aabjoo (1944-1945)<br />Tareek Sayyara (1946&ndash;47)<br />Yaden (1961)<br />Bint-e-Lamhaat (1969)<br />Naya Ahang (1977)<br />Sar-o-Samaan (1982)<br />Zameen Zameen (1983-1990)<br />Play</p>\r\n<p>Sabrang (1948): a one-verse play.<br />Translation and compilation by others<br />Zamistan Sard Mehrika (Urdu)- Last Poetic Collection of an unforgettable Urdu poet. Compiled and edited by Sultana Iman and Bedar Bakht.<br />Query of the Road &ndash; Selected Poems of Akhtar-ul-Iman with Extensive Commentary by Baidar Bakht<br />Indian cinema<br />His contribution to Hindi cinema is significant, keeping in mind the number of landmark and hit movies he has contributed as a script writer (dialogue, story and screenplay).[citation needed] His first landmark movie was Kanoon, which became a big hit despite the fact that it had no songs or comedy sequences.[citation needed] This achievement remains unparalleled in Hindi cinema. Other important movies to which he contributed as a script writer were Dharmputra (1961) &ndash; for which he received a filmfare award &ndash; Gumrah, Waqt, Patther ke Sanam, and Daagh.</p>\r\n<p>The one movie which has his lyrics is Bikhare Moti.</p>\r\n<p>Awards<br />Literary awards</p>\r\n<p>1962: Sahitya Akademi Award &ndash; Urdu: Yadein (Poetry)<br />Iqbal Samman<br />and Numerous other literary awards.</p>\r\n<p>Filmfare Award<br />1963: Best Dialogue: Dharmputra<br />1966: Best Dialogue: Waqt</p>","raw_bio":"Akhtar ul Iman (1915–1996) was a noted Urdu poet and screenwriter in Hindi cinema, who had a major influence on modern Urdu nazm. He won the Filmfare Award for Best Dialogue in 1963 for Dharmputra and 1966 for Waqt. He was awarded the 1962 Sahitya Akademi Award in Urdu, for his Poetry Collection, Yadein (Memories), by Sahitya Akademi, India's National Academy of Letters.   Career He left behind a substantial legacy for new generation of poets to follow which explores new trends and themes in modern Urdu poetry giving a new direction to the modern and contemporary Urdu nazm with emphasis on philosophical humanism.   Works Books • Iss Aabad Kharabe Mein (Urdu)-published by Urdu Academy, Delhi, India. Autobiography of a famous Urdu writer of India.   Poetry He has published eight collections:   Girdaab (1943) Aabjoo (1944-1945) Tareek Sayyara (1946–47) Yaden (1961) Bint-e-Lamhaat (1969) Naya Ahang (1977) Sar-o-Samaan (1982) Zameen Zameen (1983-1990) Play   Sabrang (1948): a one-verse play. Translation and compilation by others Zamistan Sard Mehrika (Urdu)- Last Poetic Collection of an unforgettable Urdu poet. Compiled and edited by Sultana Iman and Bedar Bakht. Query of the Road – Selected Poems of Akhtar-ul-Iman with Extensive Commentary by Baidar Bakht Indian cinema His contribution to Hindi cinema is significant, keeping in mind the number of landmark and hit movies he has contributed as a script writer (dialogue, story and screenplay).[citation needed] His first landmark movie was Kanoon, which became a big hit despite the fact that it had no songs or comedy sequences.[citation needed] This achievement remains unparalleled in Hindi cinema. Other important movies to which he contributed as a script writer were Dharmputra (1961) – for which he received a filmfare award – Gumrah, Waqt, Patther ke Sanam, and Daagh.   The one movie which has his lyrics is Bikhare Moti.   Awards Literary awards   1962: Sahitya Akademi Award – Urdu: Yadein (Poetry) Iqbal Samman and Numerous other literary awards.   Filmfare Award 1963: Best Dialogue: Dharmputra 1966: Best Dialogue: Waqt","slug":"akhtar-ul-iman","DOB":"1915-01-01","DateOfDemise":"1996-01-01","location":null,"url":"/sootradhar/akhtar-ul-iman","tags":"","created":"2023-09-22T12:50:28.199271","is_has_special_post":true,"is_special_author":false,"language":4},{"id":576,"image":"https://kavishalalab.s3.ap-south-1.amazonaws.com/sootradhar_author/sikandar-ali-wajd.png","name":"Sikandar Ali Wajd","bio":"<p>Sikandar Ali Wajd (1914&ndash;1983) was a talented Urdu poet from Aurangabad, Maharashtra India. He had equal proficiency in composing gazals and poems.</p>\r\n<p>Literary works<br />He was President of the Anjuman Taraqqi-i-Urdu, Maharashtra and was awarded Padma Shri in 1970 for his literary services. Pandit Jawaharlal Nehru released Wajd's third collection \"Awarq-e-Mussavar\". Prior to this collection his other poetical works 'Laho-Tarung', 'Aftab-e-Taza' and 'Bayaz-e-Maryan' were published in 1944,1952 and 1974 respectively. He was well versed in Urdu Persian and English. As he was gifted with a melodious voice, wherever he recited his gazals and poems, the audience listened to him in rapt attention.[citation needed] His poems &lsquo;Ajanta&rsquo;, &lsquo;Ellora&rsquo;, &lsquo;Taj Mahal&rsquo;, and &lsquo;Karvan e Zindagi&rsquo; are well known.</p>\r\n<p>He died on 16 June 1983 at Aurangabad. The Sikandar Ali Wajd Memorial Trust at Aurangabad is involved in promoting cultural and literary activities in the city, there is also an auditorium near Town Hall built in the memory of the poet. His wife continues to live at Jublee Park, Aurangabad.</p>","raw_bio":"Sikandar Ali Wajd (1914–1983) was a talented Urdu poet from Aurangabad, Maharashtra India. He had equal proficiency in composing gazals and poems.   Literary works He was President of the Anjuman Taraqqi-i-Urdu, Maharashtra and was awarded Padma Shri in 1970 for his literary services. Pandit Jawaharlal Nehru released Wajd's third collection \"Awarq-e-Mussavar\". Prior to this collection his other poetical works 'Laho-Tarung', 'Aftab-e-Taza' and 'Bayaz-e-Maryan' were published in 1944,1952 and 1974 respectively. He was well versed in Urdu Persian and English. As he was gifted with a melodious voice, wherever he recited his gazals and poems, the audience listened to him in rapt attention.[citation needed] His poems ‘Ajanta’, ‘Ellora’, ‘Taj Mahal’, and ‘Karvan e Zindagi’ are well known.   He died on 16 June 1983 at Aurangabad. The Sikandar Ali Wajd Memorial Trust at Aurangabad is involved in promoting cultural and literary activities in the city, there is also an auditorium near Town Hall built in the memory of the poet. His wife continues to live at Jublee Park, Aurangabad.","slug":"sikandar-ali-wajd","DOB":"1914-01-01","DateOfDemise":"1983-01-01","location":null,"url":"/sootradhar/sikandar-ali-wajd","tags":"","created":"2023-09-22T12:50:29.411097","is_has_special_post":true,"is_special_author":false,"language":4},{"id":577,"image":"https://kavishalalab.s3.ap-south-1.amazonaws.com/sootradhar_author/badayuni_sahkim.jpg","name":"Shakeel Badayuni","bio":"<p>Shakeel Badayuni (3 August 1916 &ndash; 20 April 1970) was an Indian Urdu poet, lyricist and songwriter in Hindi language films.</p>\r\n<p>Shakeel Badayuni was born in Badaun, Uttar Pradesh. His father, Mohammed Jamaal Ahmed Sokhta Qadiri, wanted him to have a good career, thus he arranged Arabic, Urdu, Persian, and Hindi tuition for Shakeel at home. His inclination towards poetry was not hereditary like other shayars. One of his distant relatives, Hazrat Zia-ul-Qadiri Badayuni Rehmatullah Aleh, was a religious shayar. Shakeel Masoodi was influenced by him and the contemporary environment of Badayun led him to poetry.</p>\r\n<p>When he joined Aligarh Muslim University in 1936, he started participating in inter-college, inter-university mushairas and won frequently. In 1940, he married Salma, who was his distant relative and had been living in a common house with him since childhood, however, the purdah system was vogue in their family and they were not close. After completing his BA, he moved to Delhi as a supply officer, but continued participating in mushairas, earning fame nationwide. Those were the days of shayars who wrote about the downtrodden sections of society, their upliftment, the betterment of society and all. But Shakeel had an altogether different taste &ndash; his poetry was romantic and close to the heart. Shakeel used to say:</p>\r\n<p>Main Shakeel Dil Ka Hoon Tarjuman<br />Keh Mohabbaton Ka Hoon Raazdaan<br />Mujhe Fakhr Hai Meri Shayari<br />Meri Zindagi Se Juda Nahin<br />During his Aligarh days, Badauni also started learning Urdu poetry formally from Hakim Abdul Waheed 'Ashk' Bijnori.</p>\r\n<p>Career<br />Shakeel moved to Bombay in 1944, to write songs for films. He met film producer, A.R. Kardar and music composer, Naushad Ali, who asked him to sum up his poetic skills in one line. Shakeel wrote, Hum Dard Ka Afsana Duniya Ko Suna Denge, Har Dil Main Mohabbat Ki Ek Aag Laga Dengey. Naushad immediately retained him for Kardar's film, Dard (1947). The songs of Dard proved to be very successful, especially Uma Devi (Tun Tun)'s Afsana Likh Rahi Hoon. Only a few are so lucky that they attain success in their first film, but Shakeel deserved success which started with Dard and continued on over the years.</p>\r\n<p>Together, he and Naushad became one of the most sought after composer/lyricist duos in the industry. Among the scores they churned out together, are those of Deedar (1951), Baiju Bawra (1952), Mother India (1957), and Mughal-e-Azam (1960), that stand out. Other films they scored together include Dulari (1949), Shabab (1954), Ganga Jamuna (1961), and Mere Mehboob (1963). Although Shakeel Badayuni worked most extensively with Naushad, he also collaborated with Ravi and Hemant Kumar as well. His lyrics for the song Husnwale Tera Jawab Nahin and Ravi's music score both won Filmfare Awards for the hit film Gharana. His other notable film with Ravi is Chaudhvin Ka Chand (1960), while Sahib Bibi Aur Ghulam (1962) is his biggest hit with Hemant Kumar. The title song from Chaudhvin Ka Chand, rendered by Mohammed Rafi, won Badayuni the Filmfare Award for Best Lyricist in 1961.</p>\r\n<p>Shakeel penned numbers for around 89 films. In addition, he wrote many popular ghazals sung by Begum Akhtar, and which are still sung by vocalists like Pankaj Udhas and others.</p>\r\n<p>The Indian government had honoured him with the title Geet Kar-e-Azam.</p>\r\n<p>Association with Naushad<br />Shakeel shared a close friendship with Naushad, Ravi and Naushad's former assistant, Ghulam Mohammed, with whom he enjoyed his life to the fullest. Naushad used Shakeel as the lyricist for his tunes for most of his films for a period of 24 years. Baiju Bawra, which was a milestone in both of their careers, was supposed to go to Kavi Pradeep. Vijay Bhatt, the director of the movie was insistent on using Kavi Pradeep as lyricist, since the film was supposed to have many devotional songs. Naushad requested Vijay Bhatt to hear the lyrics written by Shakeel. Vijay Bhatt agreed.</p>\r\n<p>When Shakeel Badayuni was diagnosed with TB, he was put up in a sanitorium in Panchgani for treatment. Naushad knowing that his financial condition was not well, took 3 films to him, getting the lyrics written in the sanatorium, and got him a payment of nearly 10 times more than his normal fees.</p>\r\n<p>Association with Ravi<br />Shakeel also wrote a substantial chunk of his songs for music director Ravi Sharma. Prominent amongst those were Gharana (1961), Ghunghat,Grahasti (1963), Nartaki (1963), as well as Phool Aur Patthar and Do Badan.</p>\r\n<p>Association with Hemant Kumar<br />Shakeel wrote for Hemant Kumar for movies like Bees Saal Baad, Sahib Bibi Aur Gulam, Bin Badal Barsaat.</p>\r\n<p>Association with S.D.Burman<br />Shakeel penned lyrics for the tunes of S D Burman for movies Kaise Kahoon &amp; Benazir.</p>\r\n<p>Others<br />C.Ramachandra &ndash; Zindagi Aur Maut, Wahan Ke Log. Roshan &ndash; Bedaag, Noorjahan.</p>\r\n<p>Personal life<br />Shakeel Badayuni succumbed to diabetes complications at the age of fifty-three, on 20 April 1970, at Bombay Hospital leaving behind his wife, two sons and two daughters. One daughter, Najma, died soon afterwards, while still a college student. His elder son Javed works in the travel and tourism industry. His other son's name is Tariq. Shakeel's friends Ahmed Zakaria and Rangoonwala formed a trust called Yaad-e-Shakeel after his death and this trust became the source of some income to his bereaved family.</p>\r\n<p>Shakeel loved to play badminton, go on picnics and hunting trips and fly kites with his friends from the industry, Naushad and Mohammed Rafi. Sometimes Johnny Walker would join them in kite-flying competitions. Dilip Kumar, writers Wajahat Mirza, Khumar Barabankvi and Azm Bazidpuri were among Shakeel's other close friends within the industry.</p>\r\n<p>His 20 Best Songs<br />Suhaani raat dhal chuki (Dulaari)<br />Man tarpat hari darshan ko aaj (Baiju Bawra) (1952)<br />O duniya ke rakhwale (Baiju Bawra)<br />Madhuban me radhika naache re (Kohinoor)<br />Pyar kiya to darna kya (Mughal- E- Azam) (1960)<br />Chaudvi ka chand ho (Chaudvi ka Chand) (1960)<br />Dil laga kar hum ye samjhe (Zindagi Aur Maut)<br />Mere Mehboob tujhe meri (Mere Mehboob) (1963)[6]<br />Jane bahaar husn tera bemisaal hai (Pyar Kiya To Darna Kya)<br />Ek shahenshah ne banwaa ke haseen Tajmahal (Leader)<br />Koi saagar dil ko (Dil Diya Dard Liya)<br />Beqaraar kar ke hume (Bees Saal Baad)<br />Lo aa gai unki yaad (Do Badan)<br />Na jao saiyaan (Sahib Bibi Ghulaam)<br />Merei baat rahi mere man me (Sahi Bibi Ghulaam)<br />Aaj puraani raahon se (Aadmi)<br />Jab dil se dil takraata hai (Sunghursh)<br />Ek baar zara phir kahe do (Bin Baadal Barsaat)<br />Tumhe paa ke hum ne (Gehra Daag)<br />Zindagi tu jhoom le zara (Kaise Kahoon)<br />Awards<br />1961 Filmfare Best Lyricist Award for the song Chaudvin ka chand ho in the film Chaudhvin Ka Chand (1960)<br />1962 Filmfare Best Lyricist Award for the song husnwale tera jawab nahin in the film Gharana (1961)<br />1963 Filmfare Best Lyricist Award for the song Kahin Deep Jale in the film Bees Saal Baad (1962)<br />Government recognition<br />A postage stamp, bearing his face, was released by India Post to honour him on 3 May 2013.</p>\r\n<p>&nbsp;</p>","raw_bio":"Shakeel Badayuni (3 August 1916 – 20 April 1970) was an Indian Urdu poet, lyricist and songwriter in Hindi language films.   Shakeel Badayuni was born in Badaun, Uttar Pradesh. His father, Mohammed Jamaal Ahmed Sokhta Qadiri, wanted him to have a good career, thus he arranged Arabic, Urdu, Persian, and Hindi tuition for Shakeel at home. His inclination towards poetry was not hereditary like other shayars. One of his distant relatives, Hazrat Zia-ul-Qadiri Badayuni Rehmatullah Aleh, was a religious shayar. Shakeel Masoodi was influenced by him and the contemporary environment of Badayun led him to poetry.   When he joined Aligarh Muslim University in 1936, he started participating in inter-college, inter-university mushairas and won frequently. In 1940, he married Salma, who was his distant relative and had been living in a common house with him since childhood, however, the purdah system was vogue in their family and they were not close. After completing his BA, he moved to Delhi as a supply officer, but continued participating in mushairas, earning fame nationwide. Those were the days of shayars who wrote about the downtrodden sections of society, their upliftment, the betterment of society and all. But Shakeel had an altogether different taste – his poetry was romantic and close to the heart. Shakeel used to say:   Main Shakeel Dil Ka Hoon Tarjuman Keh Mohabbaton Ka Hoon Raazdaan Mujhe Fakhr Hai Meri Shayari Meri Zindagi Se Juda Nahin During his Aligarh days, Badauni also started learning Urdu poetry formally from Hakim Abdul Waheed 'Ashk' Bijnori.   Career Shakeel moved to Bombay in 1944, to write songs for films. He met film producer, A.R. Kardar and music composer, Naushad Ali, who asked him to sum up his poetic skills in one line. Shakeel wrote, Hum Dard Ka Afsana Duniya Ko Suna Denge, Har Dil Main Mohabbat Ki Ek Aag Laga Dengey. Naushad immediately retained him for Kardar's film, Dard (1947). The songs of Dard proved to be very successful, especially Uma Devi (Tun Tun)'s Afsana Likh Rahi Hoon. Only a few are so lucky that they attain success in their first film, but Shakeel deserved success which started with Dard and continued on over the years.   Together, he and Naushad became one of the most sought after composer/lyricist duos in the industry. Among the scores they churned out together, are those of Deedar (1951), Baiju Bawra (1952), Mother India (1957), and Mughal-e-Azam (1960), that stand out. Other films they scored together include Dulari (1949), Shabab (1954), Ganga Jamuna (1961), and Mere Mehboob (1963). Although Shakeel Badayuni worked most extensively with Naushad, he also collaborated with Ravi and Hemant Kumar as well. His lyrics for the song Husnwale Tera Jawab Nahin and Ravi's music score both won Filmfare Awards for the hit film Gharana. His other notable film with Ravi is Chaudhvin Ka Chand (1960), while Sahib Bibi Aur Ghulam (1962) is his biggest hit with Hemant Kumar. The title song from Chaudhvin Ka Chand, rendered by Mohammed Rafi, won Badayuni the Filmfare Award for Best Lyricist in 1961.   Shakeel penned numbers for around 89 films. In addition, he wrote many popular ghazals sung by Begum Akhtar, and which are still sung by vocalists like Pankaj Udhas and others.   The Indian government had honoured him with the title Geet Kar-e-Azam.   Association with Naushad Shakeel shared a close friendship with Naushad, Ravi and Naushad's former assistant, Ghulam Mohammed, with whom he enjoyed his life to the fullest. Naushad used Shakeel as the lyricist for his tunes for most of his films for a period of 24 years. Baiju Bawra, which was a milestone in both of their careers, was supposed to go to Kavi Pradeep. Vijay Bhatt, the director of the movie was insistent on using Kavi Pradeep as lyricist, since the film was supposed to have many devotional songs. Naushad requested Vijay Bhatt to hear the lyrics written by Shakeel. Vijay Bhatt agreed.   When Shakeel Badayuni was diagnosed with TB, he was put up in a sanitorium in Panchgani for treatment. Naushad knowing that his financial condition was not well, took 3 films to him, getting the lyrics written in the sanatorium, and got him a payment of nearly 10 times more than his normal fees.   Association with Ravi Shakeel also wrote a substantial chunk of his songs for music director Ravi Sharma. Prominent amongst those were Gharana (1961), Ghunghat,Grahasti (1963), Nartaki (1963), as well as Phool Aur Patthar and Do Badan.   Association with Hemant Kumar Shakeel wrote for Hemant Kumar for movies like Bees Saal Baad, Sahib Bibi Aur Gulam, Bin Badal Barsaat.   Association with S.D.Burman Shakeel penned lyrics for the tunes of S D Burman for movies Kaise Kahoon & Benazir.   Others C.Ramachandra – Zindagi Aur Maut, Wahan Ke Log. Roshan – Bedaag, Noorjahan.   Personal life Shakeel Badayuni succumbed to diabetes complications at the age of fifty-three, on 20 April 1970, at Bombay Hospital leaving behind his wife, two sons and two daughters. One daughter, Najma, died soon afterwards, while still a college student. His elder son Javed works in the travel and tourism industry. His other son's name is Tariq. Shakeel's friends Ahmed Zakaria and Rangoonwala formed a trust called Yaad-e-Shakeel after his death and this trust became the source of some income to his bereaved family.   Shakeel loved to play badminton, go on picnics and hunting trips and fly kites with his friends from the industry, Naushad and Mohammed Rafi. Sometimes Johnny Walker would join them in kite-flying competitions. Dilip Kumar, writers Wajahat Mirza, Khumar Barabankvi and Azm Bazidpuri were among Shakeel's other close friends within the industry.   His 20 Best Songs Suhaani raat dhal chuki (Dulaari) Man tarpat hari darshan ko aaj (Baiju Bawra) (1952) O duniya ke rakhwale (Baiju Bawra) Madhuban me radhika naache re (Kohinoor) Pyar kiya to darna kya (Mughal- E- Azam) (1960) Chaudvi ka chand ho (Chaudvi ka Chand) (1960) Dil laga kar hum ye samjhe (Zindagi Aur Maut) Mere Mehboob tujhe meri (Mere Mehboob) (1963)[6] Jane bahaar husn tera bemisaal hai (Pyar Kiya To Darna Kya) Ek shahenshah ne banwaa ke haseen Tajmahal (Leader) Koi saagar dil ko (Dil Diya Dard Liya) Beqaraar kar ke hume (Bees Saal Baad) Lo aa gai unki yaad (Do Badan) Na jao saiyaan (Sahib Bibi Ghulaam) Merei baat rahi mere man me (Sahi Bibi Ghulaam) Aaj puraani raahon se (Aadmi) Jab dil se dil takraata hai (Sunghursh) Ek baar zara phir kahe do (Bin Baadal Barsaat) Tumhe paa ke hum ne (Gehra Daag) Zindagi tu jhoom le zara (Kaise Kahoon) Awards 1961 Filmfare Best Lyricist Award for the song Chaudvin ka chand ho in the film Chaudhvin Ka Chand (1960) 1962 Filmfare Best Lyricist Award for the song husnwale tera jawab nahin in the film Gharana (1961) 1963 Filmfare Best Lyricist Award for the song Kahin Deep Jale in the film Bees Saal Baad (1962) Government recognition A postage stamp, bearing his face, was released by India Post to honour him on 3 May 2013.    ","slug":"shakeel-badayuni","DOB":"1916-08-03","DateOfDemise":"1970-04-20","location":null,"url":"/sootradhar/shakeel-badayuni","tags":"","created":"2023-09-22T12:50:31.158995","is_has_special_post":true,"is_special_author":false,"language":4},{"id":578,"image":"https://kavishalalab.s3.ap-south-1.amazonaws.com/sootradhar_author/Viren_Dangwal.jpg","name":"Viren Dangwal","bio":"<p>Viren Dangwal (5 August 1947 - 28 September 2015) was an Indian poet, academic, and journalist. He received several awards for his poetry.</p>\r\n<p>Dangwal was born in 1947 in Kirti Nagar, Tehri Garhwal, Uttarakhand.</p>\r\n<p>Dangwal was associated with the editorial board of the Hindi language newspaper Amar Ujala. He served as a professor of Hindi at Bareilly College from 1974 to 2010.</p>\r\n<p>In 1992 Dangwal received the Raghuveer Sahay Smriti Award for his poem 'Duniya'. In 1993 he received the Srikant Verma Smriti Award. In 2002, fe received the Shamsher Samman award. In 2004, Dangwell received the Sahitya Akademi Award for his book of poetry, Dushchakra Mein Srista.</p>\r\n<p>Dangwal's most famous poem was 'Kavi Ne kaha' .</p>\r\n<p>Dangwal died in Bareilly in September 2015</p>","raw_bio":"Viren Dangwal (5 August 1947 - 28 September 2015) was an Indian poet, academic, and journalist. He received several awards for his poetry.   Dangwal was born in 1947 in Kirti Nagar, Tehri Garhwal, Uttarakhand.   Dangwal was associated with the editorial board of the Hindi language newspaper Amar Ujala. He served as a professor of Hindi at Bareilly College from 1974 to 2010.   In 1992 Dangwal received the Raghuveer Sahay Smriti Award for his poem 'Duniya'. In 1993 he received the Srikant Verma Smriti Award. In 2002, fe received the Shamsher Samman award. In 2004, Dangwell received the Sahitya Akademi Award for his book of poetry, Dushchakra Mein Srista.   Dangwal's most famous poem was 'Kavi Ne kaha' .   Dangwal died in Bareilly in September 2015","slug":"viren-dangwal","DOB":"1947-08-05","DateOfDemise":"2015-09-28","location":null,"url":"/sootradhar/viren-dangwal","tags":"","created":"2023-09-22T12:50:31.532030","is_has_special_post":true,"is_special_author":false,"language":4},{"id":579,"image":"https://kavishalalab.s3.ap-south-1.amazonaws.com/sootradhar_author/kaka_hathrasi_1822128_835x547-m.jpg","name":"Kaka Hathrasi","bio":"काका हाथरसी | Kaka Hathrasi (18 September 1906 – 18 September 1995) was a Hindi satirist and humorist poet of India.\r\n\r\nHathrasi was born as Prabhu Lal Garg. He wrote under the pen name Kaka Hathrasi. He chose \"Kaka\", as he played the character in a play which made him popular, and \"Hathrasi\" after the name of his hometown Hathras. He has 42 works to his credit, comprising a collection of humorous and satirical poems, prose and plays published by various publishers. He also wrote three books on Indian classical music under the pen name \"Vasant\". In 1932, he established Sangeet Karyalaya (initially Garg and Co.), a publishing house for the books on Indian classical music and dance and started publishing a monthly magazine Sangeet in 1935. Sangeet is the only periodical on Indian classical music and dance that has been continuously published for over 78 years.>br>\r\n<b>Work</b>\r\n<ul><li>\r\nKaka Tarang. Diamond Pocket Books (P) Ltd., 2005. ISBN 81-7182-513-3.</li><li>\r\nKaka Ki Chaupal. Diamond Pocket Books (P) Ltd., 2006, ISBN 81-7182-754-3.</li><li>\r\nJai Bolo Baiman Ki, Diamond Pocket Books (P) Ltd., 2006. ISBN 81-288-0693-9.</li><li>\r\nMera Jeevan : A-One (Autobiography), Diamond Pocket Books (P) Ltd., 1993. ISBN 81-288-1015-4.</li>\r\n</ul>","raw_bio":"काका हाथरसी | Kaka Hathrasi (18 September 1906 – 18 September 1995) was a Hindi satirist and humorist poet of India.\r \r Hathrasi was born as Prabhu Lal Garg. He wrote under the pen name Kaka Hathrasi. He chose \"Kaka\", as he played the character in a play which made him popular, and \"Hathrasi\" after the name of his hometown Hathras. He has 42 works to his credit, comprising a collection of humorous and satirical poems, prose and plays published by various publishers. He also wrote three books on Indian classical music under the pen name \"Vasant\". In 1932, he established Sangeet Karyalaya (initially Garg and Co.), a publishing house for the books on Indian classical music and dance and started publishing a monthly magazine Sangeet in 1935. Sangeet is the only periodical on Indian classical music and dance that has been continuously published for over 78 years.>br>\r  Work   \r Kaka Tarang. Diamond Pocket Books (P) Ltd., 2005. ISBN 81-7182-513-3. \r Kaka Ki Chaupal. Diamond Pocket Books (P) Ltd., 2006, ISBN 81-7182-754-3. \r Jai Bolo Baiman Ki, Diamond Pocket Books (P) Ltd., 2006. ISBN 81-288-0693-9. \r Mera Jeevan : A-One (Autobiography), Diamond Pocket Books (P) Ltd., 1993. ISBN 81-288-1015-4.  ","slug":"kaka-hathrasi","DOB":"1906-09-18","DateOfDemise":"1995-09-18","location":"Hathras, India","url":"/sootradhar/kaka-hathrasi","tags":"काका हाथरसी, Hathras Poet, Ashok Chakradhar","created":"2023-09-22T12:50:32.751636","is_has_special_post":true,"is_special_author":false,"language":4},{"id":580,"image":"https://kavishalalab.s3.ap-south-1.amazonaws.com/sootradhar_author/r_m_vdrhs.jpg","name":"Ramashankar Yadav Vidrohi","bio":"<p>Ramashankar Yadav | रमाशंकर यादव 'विद्रोही'  (3 December 1957 &ndash; 8 December 2015), also known as Vidrohi, was an Indian poet and social activist who went to Jawaharlal Nehru University (JNU) as a student but continued to live on or around its campus well beyond his student life.</p>\r\n<p>Always present during student protests, reciting his revolutionary poetry at such occasions, and otherwise at Ganga Dhaba, was a common sight. He died participating in a student protest in Delhi. He was a progressive poet with reformative spirit. He tried to sensitise the society at large against religious superstition, gender discrimination and economical inequality in society through his poems. He was vocal against state repression, persecution of marginalised section of society and crackdown on voice of dissenting opinion. A documentary Main tumhara Kavi Hoon has been published on his life and work on 20 September 2015, almost three months before his death.He did not seek money, fame or power. He did not even write down his poems. He just recited them. Whatever work of his we see in written form is the result of the efforts of his admirers</p>","raw_bio":"Ramashankar Yadav | रमाशंकर यादव 'विद्रोही'  (3 December 1957 – 8 December 2015), also known as Vidrohi, was an Indian poet and social activist who went to Jawaharlal Nehru University (JNU) as a student but continued to live on or around its campus well beyond his student life.   Always present during student protests, reciting his revolutionary poetry at such occasions, and otherwise at Ganga Dhaba, was a common sight. He died participating in a student protest in Delhi. He was a progressive poet with reformative spirit. He tried to sensitise the society at large against religious superstition, gender discrimination and economical inequality in society through his poems. He was vocal against state repression, persecution of marginalised section of society and crackdown on voice of dissenting opinion. A documentary Main tumhara Kavi Hoon has been published on his life and work on 20 September 2015, almost three months before his death.He did not seek money, fame or power. He did not even write down his poems. He just recited them. Whatever work of his we see in written form is the result of the efforts of his admirers","slug":"ramashankar-yadav-vidrohi","DOB":"1957-12-03","DateOfDemise":"2015-12-08","location":null,"url":"/sootradhar/ramashankar-yadav-vidrohi","tags":"","created":"2023-09-22T12:50:34.371783","is_has_special_post":true,"is_special_author":false,"language":4},{"id":581,"image":"https://kavishalalab.s3.ap-south-1.amazonaws.com/sootradhar_author/rishi-patialvi.png","name":"Rishi Patialvi","bio":"<p>Rishi Patialvi (Urdu: رِشی پٹیالوی&lrm;), (1917&ndash;1999), born Bam Dev Sharma, hailing from Hoshiarpur District (Punjab), was a popular Urdu poet belonging to Daagh Dehlvi&rsquo;s lineage. He was a disciple of Naseem Noormahali who was a disciple of Labhu Ram Josh Malsiyani (1883-1976), a disciple of Mirza Khan Daagh Dehlvi. He died of a massive heart-attack on 26 December 1999 at Mumbai aged 82 years.</p>\r\n<p>Five collections of his poems were published during the life-time of Rishi Patialvi, which are:-</p>\r\n<p>1.Reg-e-Rawaan (1972) published by Biswin Sadi, New Delhi 184 pages<br />2.Phool Unki Mukaanon Ke (1978) published by Punjab Urdu Academy, Chandigarh 136 pages.<br />3.Roshni Kitni (1979) published by Rishi Publishing House, New Delhi 196 pages.<br />4.Chhir Gaii Jo Baat Unki (1980) &ndash;do- 152 pages<br />5.Shafaq Rang Aansoo (1981) published by Nao bahaar Saabir, Patiala 328 pages<br />His other works which are in Urdu prose include Riaz-e-Naseem (1978), Jaize (1966) and Partav-e-Jamhoor (1976).</p>","raw_bio":"Rishi Patialvi (Urdu: رِشی پٹیالوی‎), (1917–1999), born Bam Dev Sharma, hailing from Hoshiarpur District (Punjab), was a popular Urdu poet belonging to Daagh Dehlvi’s lineage. He was a disciple of Naseem Noormahali who was a disciple of Labhu Ram Josh Malsiyani (1883-1976), a disciple of Mirza Khan Daagh Dehlvi. He died of a massive heart-attack on 26 December 1999 at Mumbai aged 82 years.   Five collections of his poems were published during the life-time of Rishi Patialvi, which are:-   1.Reg-e-Rawaan (1972) published by Biswin Sadi, New Delhi 184 pages 2.Phool Unki Mukaanon Ke (1978) published by Punjab Urdu Academy, Chandigarh 136 pages. 3.Roshni Kitni (1979) published by Rishi Publishing House, New Delhi 196 pages. 4.Chhir Gaii Jo Baat Unki (1980) –do- 152 pages 5.Shafaq Rang Aansoo (1981) published by Nao bahaar Saabir, Patiala 328 pages His other works which are in Urdu prose include Riaz-e-Naseem (1978), Jaize (1966) and Partav-e-Jamhoor (1976).","slug":"rishi-patialvi","DOB":"1917-01-01","DateOfDemise":"1999-01-01","location":null,"url":"/sootradhar/rishi-patialvi","tags":"","created":"2023-09-22T12:50:35.165441","is_has_special_post":true,"is_special_author":false,"language":4},{"id":583,"image":"https://kavishalalab.s3.ap-south-1.amazonaws.com/sootradhar_author/Jagan_Nath_Azad.jpg","name":"Jagan Nath Azad","bio":"<p>Jagan Nath Azad (5 December 1918 &ndash; 24 July 2004) was an Indian Urdu poet, writer and academician. He wrote over 70 books, including poetry collections, poems, biographies, and travelogues.</p>\r\n<p>He was an authority on the life, philosophy and works of Muhammad Iqbal. He served as President of the Iqbal Memorial Trust for a term of five years (1981&ndash;85).</p>\r\n<p>Azad was elected vice-president of Anjuman Taraqqi-i-Urdu (Hind) (a national body for the promotion of Urdu under the Ministry of Human Resource Development) in 1989 and President in 1993, remaining in this office till his demise.</p>\r\n<p>He was at his writing desk until fifteen days before he died &ndash; of carcinoma and a brief illness &ndash; at the Rajiv Gandhi Cancer Institute &amp; Research Centre in New Delhi, India on 24 July 2004. He was 84 and is survived by his wife and five children.</p>\r\n<p>&nbsp;</p>","raw_bio":"Jagan Nath Azad (5 December 1918 – 24 July 2004) was an Indian Urdu poet, writer and academician. He wrote over 70 books, including poetry collections, poems, biographies, and travelogues.   He was an authority on the life, philosophy and works of Muhammad Iqbal. He served as President of the Iqbal Memorial Trust for a term of five years (1981–85).   Azad was elected vice-president of Anjuman Taraqqi-i-Urdu (Hind) (a national body for the promotion of Urdu under the Ministry of Human Resource Development) in 1989 and President in 1993, remaining in this office till his demise.   He was at his writing desk until fifteen days before he died – of carcinoma and a brief illness – at the Rajiv Gandhi Cancer Institute & Research Centre in New Delhi, India on 24 July 2004. He was 84 and is survived by his wife and five children.    ","slug":"jagan-nath-azad","DOB":"1918-12-05","DateOfDemise":"2004-07-24","location":null,"url":"/sootradhar/jagan-nath-azad","tags":"","created":"2023-09-22T12:50:36.900962","is_has_special_post":true,"is_special_author":false,"language":4},{"id":585,"image":"https://kavishalalab.s3.ap-south-1.amazonaws.com/sootradhar_author/Khum%C4%81r_Barabankvi.jpg","name":"Khumar Barabankvi","bio":"<p>Khumār Barabankvi Urdu: خُمار بارہ بنکوی&lrm; (15 September 1919 &ndash; 19 February 1999) was an Urdu poet and lyricist from Barabanki, Uttar Pradesh, India. His real name was Mohammed Haidar Khan, The word comes from the Arabic root 'Khum' which means a jar of wine. His ghazal are sung by many famous singers such as Mehdi Hassan, Ghulam Ali, K. L. Saigal, Mohd Rafi, Lata Mangeshkar, Hussain Brother, Nizami Brother,and Jagjit Singh many other famous singer. Even Lata Mangeshkar recorded her first song was written by him . He was also known as Shahenshah e ghazal and Abru e ghazal .</p>\r\n<p>Published work<br />He got his work published as (1)&lsquo;Hadees-e-Deegaraan&rsquo;,(2) &lsquo;Aatish-e-Tar&rsquo; (3) Raqs-e-Mai&rsquo;,(4) \" Shab-e- Tab\".</p>\r\n<p>Lyrics and Bollywood<br />In 1945 Khumar went to Bombay to attend a mushaira. Film Director A.R. Kardar and music director Naushad were both in attendance. They listened to Khumar's poetry and were impressed by his ghazals. Kardar who was making &lsquo;Shahjahan&rsquo; with Naushad as music director, offered him to write few songs for his films and he agreed. Songs of &lsquo;Shajahan&rsquo; film were written by Majrooh Sutanpuri and Khumar Barabankvi. Songs of both the writers became super hit. In Bollywood, singers like K.L.Sehgal, Mohd. Rafi, Talat Mehmood, Lata Mangeshkar, Shamshad Begum, Geeta Dutt Have given voice to his poetry. With his song &lsquo;Chaah Barbad Kare Gi Hamein Maaloom Na Tha&rsquo; sung by Sehgal for film &lsquo;Shahjahan&rsquo; released in 1946, he gained fame and recognition in Bollywood. In 1949, he wrote &lsquo;Tum Ho Jaao Hamaare&rsquo; sung by Mohd Rafi, in &lsquo;Roop Lekha&rsquo; and &lsquo;Hasrat Bhari Nazar Ko Tera Intezar&rsquo; sung by Geeta Dutt and Zohra Khan in &lsquo;Dil Ki Basti&rsquo;. In 1951 Lata Mangeshkar gave her melodious voice for his song &lsquo;Loot Liya Mera Qaraar&rsquo; for film &lsquo;Hulchal&rsquo;. All the songs of his film &lsquo;Baradari&rsquo; released in 1955 were hit. The songs &lsquo;Bhula Nahin Dena Ji Bhula Nahin Dena&rsquo; and &lsquo;Tasveer Banata Hoon Tasveer Nahin Banti&rsquo; became super hits. His films include- &lsquo;Shahjahan&rsquo;, &lsquo;Dil ki Basti&rsquo;, &lsquo;Roop Lekha&rsquo;, &lsquo;Adhi Raat&rsquo;, &lsquo;Meherbani&rsquo;, &lsquo;Halchal&rsquo;, &lsquo;Jawab&rsquo;, &lsquo;Rukhsana&rsquo;, &lsquo;Shahzada&rsquo;, &lsquo;Captain Sheroo&rsquo;, &lsquo;Mehfil&rsquo;, &lsquo;Menhdi&rsquo;, &lsquo;Qatil&rsquo; and many others. Though he was a successful songwriter, he always preferred to attend mushairas than devoting time to write lyrics for films. Besides this, he was annoyed with the falling standards of poetry in films, so he kept himself away from Bollywood for quite long time. On the insistence of music director Naushad, he agreed to write songs for K. Asif&rsquo;s &lsquo;Love and God&rsquo; but soon after he quit film industry and settled in Barabanki.</p>\r\n<p>&nbsp;</p>","raw_bio":"Khumār Barabankvi Urdu: خُمار بارہ بنکوی‎ (15 September 1919 – 19 February 1999) was an Urdu poet and lyricist from Barabanki, Uttar Pradesh, India. His real name was Mohammed Haidar Khan, The word comes from the Arabic root 'Khum' which means a jar of wine. His ghazal are sung by many famous singers such as Mehdi Hassan, Ghulam Ali, K. L. Saigal, Mohd Rafi, Lata Mangeshkar, Hussain Brother, Nizami Brother,and Jagjit Singh many other famous singer. Even Lata Mangeshkar recorded her first song was written by him . He was also known as Shahenshah e ghazal and Abru e ghazal .   Published work He got his work published as (1)‘Hadees-e-Deegaraan’,(2) ‘Aatish-e-Tar’ (3) Raqs-e-Mai’,(4) \" Shab-e- Tab\".   Lyrics and Bollywood In 1945 Khumar went to Bombay to attend a mushaira. Film Director A.R. Kardar and music director Naushad were both in attendance. They listened to Khumar's poetry and were impressed by his ghazals. Kardar who was making ‘Shahjahan’ with Naushad as music director, offered him to write few songs for his films and he agreed. Songs of ‘Shajahan’ film were written by Majrooh Sutanpuri and Khumar Barabankvi. Songs of both the writers became super hit. In Bollywood, singers like K.L.Sehgal, Mohd. Rafi, Talat Mehmood, Lata Mangeshkar, Shamshad Begum, Geeta Dutt Have given voice to his poetry. With his song ‘Chaah Barbad Kare Gi Hamein Maaloom Na Tha’ sung by Sehgal for film ‘Shahjahan’ released in 1946, he gained fame and recognition in Bollywood. In 1949, he wrote ‘Tum Ho Jaao Hamaare’ sung by Mohd Rafi, in ‘Roop Lekha’ and ‘Hasrat Bhari Nazar Ko Tera Intezar’ sung by Geeta Dutt and Zohra Khan in ‘Dil Ki Basti’. In 1951 Lata Mangeshkar gave her melodious voice for his song ‘Loot Liya Mera Qaraar’ for film ‘Hulchal’. All the songs of his film ‘Baradari’ released in 1955 were hit. The songs ‘Bhula Nahin Dena Ji Bhula Nahin Dena’ and ‘Tasveer Banata Hoon Tasveer Nahin Banti’ became super hits. His films include- ‘Shahjahan’, ‘Dil ki Basti’, ‘Roop Lekha’, ‘Adhi Raat’, ‘Meherbani’, ‘Halchal’, ‘Jawab’, ‘Rukhsana’, ‘Shahzada’, ‘Captain Sheroo’, ‘Mehfil’, ‘Menhdi’, ‘Qatil’ and many others. Though he was a successful songwriter, he always preferred to attend mushairas than devoting time to write lyrics for films. Besides this, he was annoyed with the falling standards of poetry in films, so he kept himself away from Bollywood for quite long time. On the insistence of music director Naushad, he agreed to write songs for K. Asif’s ‘Love and God’ but soon after he quit film industry and settled in Barabanki.    ","slug":"khumar-barabankvi","DOB":"1919-09-15","DateOfDemise":"1999-02-19","location":null,"url":"/sootradhar/khumar-barabankvi","tags":"","created":"2023-09-22T12:50:39.224382","is_has_special_post":true,"is_special_author":false,"language":4}],"description":"<p style=\"text-align: center; font-size: 24px;\"> The Great Poets and Writers in Indian and World History! </p>","image":"https://kavishalalab.s3.ap-south-1.amazonaws.com/sootradhar_description/black.jpg"}