{"count":17752,"next":"http://admin.kavishala.in/sootradhar/authors/?format=json&page=193","previous":"http://admin.kavishala.in/sootradhar/authors/?format=json&page=191","results":[{"id":334,"image":"https://kavishalalab.s3.ap-south-1.amazonaws.com/sootradhar_author/Screenshot_2020-06-23_at_1.07.00_AM.png","name":"Harindranath Chattopadhyay","bio":"Harindranath Chattopadhyay (2 April 1898 – 23 June 1990) was an Indian English poet, a dramatist, an actor, a musician and a member of the 1st Lok Sabha from Vijayawada constituency. He was the younger brother of Sarojini Naidu, the second woman President of the Indian National Congress and first Indian woman to hold the position, and Virendranath Chattopadhyay, an international communist revolutionary. The Government of India awarded him the civilian honour of the Padma Bhushan in 1973.","raw_bio":"Harindranath Chattopadhyay (2 April 1898 – 23 June 1990) was an Indian English poet, a dramatist, an actor, a musician and a member of the 1st Lok Sabha from Vijayawada constituency. He was the younger brother of Sarojini Naidu, the second woman President of the Indian National Congress and first Indian woman to hold the position, and Virendranath Chattopadhyay, an international communist revolutionary. The Government of India awarded him the civilian honour of the Padma Bhushan in 1973.","slug":"harindranath-chattopadhyay","DOB":"1898-04-02","DateOfDemise":"1990-06-23","location":"Hyderabad","url":"/sootradhar/harindranath-chattopadhyay","tags":null,"created":"2023-09-22T12:17:49.535689","is_has_special_post":false,"is_special_author":false,"language":2},{"id":335,"image":"https://kavishalalab.s3.ap-south-1.amazonaws.com/sootradhar_author/bnd4twa982tugs4xdsfi_400x400.jpeg","name":"Shekhar Kapur","bio":"Shekhar Kapur (born 6 December 1945) is an Indian film director, actor, and producer, known for his works in Hindi cinema[2] and international cinema. Part of the Anand family, Kapur became known in Bollywood with his recurring role in the TV series Khandan in the mid-1980s and his directorial debut in the cult Bollywood film Masoom in 1983, which won the Filmfare Critics Award for Best Movie for that year,[3] before gaining widespread success with the science fiction film Mr. India (1987).","raw_bio":"Shekhar Kapur (born 6 December 1945) is an Indian film director, actor, and producer, known for his works in Hindi cinema[2] and international cinema. Part of the Anand family, Kapur became known in Bollywood with his recurring role in the TV series Khandan in the mid-1980s and his directorial debut in the cult Bollywood film Masoom in 1983, which won the Filmfare Critics Award for Best Movie for that year,[3] before gaining widespread success with the science fiction film Mr. India (1987).","slug":"shekhar-kapur","DOB":"1945-12-10","DateOfDemise":null,"location":null,"url":"/sootradhar/shekhar-kapur","tags":null,"created":"2023-09-22T12:17:49.566913","is_has_special_post":false,"is_special_author":false,"language":2},{"id":337,"image":"https://kavishalalab.s3.ap-south-1.amazonaws.com/sootradhar_author/download_3.jpeg","name":"Anita Desai","bio":"Anita Desai, born Anita Mazumdar (born 24 June 1937) is an Indian novelist and the Emerita John E. Burchard Professor of Humanities at the Massachusetts Institute of Technology. As a writer she has been shortlisted for the Booker Prize three times. She received a Sahitya Akademi Award in 1978 for her novel Fire on the Mountain, from the Sahitya Akademi, India's National Academy of Letters. She won the British Guardian Prize for The Village by the Sea.<br>\r\n<b>Film:</b>In 1993, her novel In Custody was adapted by Merchant Ivory Productions into an English film by the same name, directed by Ismail Merchant, with a screenplay by Shahrukh Husain.[11] It won the 1994 President of India Gold Medal for Best Picture and stars Shashi Kapoor, Shabana Azmi and Om Puri.\r\n<br>\r\n<b>Books:</b><br>\r\nThe Artist of Disappearance (2011)<br>\r\nThe Zigzag Way (2004)<br>\r\nDiamond Dust and Other Stories (2000)<br>\r\nFasting, Feasting (1999)<br>\r\nJourney to Ithaca (1995)<br>\r\nBaumgartner's Bombay (1988)<br>\r\nIn Custody (1984) <br>\r\nThe Village by the Sea (1982)<br>\r\nClear Light of Day (1980)<br>\r\nGames at Twilight (1978)<br>\r\nFire on the Mountain (1977)<br>\r\nCat on a Houseboat (1976)<br>\r\nWhere Shall We Go This Summer? (1975)<br>\r\nThe Peacock Garden (1974)<br>\r\nBye-bye Blackbird (1971)<br>\r\nVoices in the City (1965)<br>\r\nCry, The Peacock (1963)<br>","raw_bio":"Anita Desai, born Anita Mazumdar (born 24 June 1937) is an Indian novelist and the Emerita John E. Burchard Professor of Humanities at the Massachusetts Institute of Technology. As a writer she has been shortlisted for the Booker Prize three times. She received a Sahitya Akademi Award in 1978 for her novel Fire on the Mountain, from the Sahitya Akademi, India's National Academy of Letters. She won the British Guardian Prize for The Village by the Sea.   Film: In 1993, her novel In Custody was adapted by Merchant Ivory Productions into an English film by the same name, directed by Ismail Merchant, with a screenplay by Shahrukh Husain.[11] It won the 1994 President of India Gold Medal for Best Picture and stars Shashi Kapoor, Shabana Azmi and Om Puri.\r    Books: \r The Artist of Disappearance (2011) \r The Zigzag Way (2004) \r Diamond Dust and Other Stories (2000) \r Fasting, Feasting (1999) \r Journey to Ithaca (1995) \r Baumgartner's Bombay (1988) \r In Custody (1984)  \r The Village by the Sea (1982) \r Clear Light of Day (1980) \r Games at Twilight (1978) \r Fire on the Mountain (1977) \r Cat on a Houseboat (1976) \r Where Shall We Go This Summer? (1975) \r The Peacock Garden (1974) \r Bye-bye Blackbird (1971) \r Voices in the City (1965) \r Cry, The Peacock (1963)","slug":"anita-desai","DOB":"1937-06-24","DateOfDemise":null,"location":"Mussoorie, India","url":"/sootradhar/anita-desai","tags":null,"created":"2023-09-22T12:17:49.610972","is_has_special_post":false,"is_special_author":false,"language":2},{"id":340,"image":"https://kavishalalab.s3.ap-south-1.amazonaws.com/sootradhar_author/unnamed.jpg","name":"Mahendra Bhatnagar","bio":"Mahendra Bhatnagar (Hindi: महेंद्र भटनागर (Devanagari); born 26 June 1926) is a Hindi and Indian English poet from India. He is one of the significant post-independence voices in his field of poetry, expressing the lyricism and pathos, as well as aspirations and yearnings of the modern Indian intellect.<br>\r\nMahendra Bhatnagar is one of the many Indian poets whose literary careers were shaped by poetry in the post-independence of India in the 20th century. His poetic career over the years demonstrates his humanistic vision from beginning to end. Rooted deep into the Indian soil, his poems reflect not only the moods of a poet but of a complex age.[1][9] In his works, the thread of his humanistic vision can be seen vividly and he wrote poems to bring about a change in the world. He analyses, interprets, evaluates and describes his emotions in the light of his humanistic vision. For example, his poem \"Helplessness\" reveals not only his own helplessness, but also of the common people of India:<br><br>\r\n\"Thrust upon, undesired life, I lived.<br>\r\nEvery instant, every step, shame I lived<br>\r\nHistory, now you ask me what<br>\r\nFolly and dirtiness of the world, I lived.<br>\r\n<br>\r\nHe also uses irony to expose the fraud of exploiters, particularly exposing the enemies of the labourers and the peasants of India. With his humanistic vision, he constantly compels the readers to distinguish between power and propriety.<br>\r\nHis poems were translated, published and broadcast in many foreign and Indian languages. However, he also edited Hindi literary magazines such as Sandhya and Pratikalpa magazines. He is also the adviser of Poetcrit magazine, and a member of the Advisory Board of Indian Journal of Postcolonial Literature magazine.","raw_bio":"Mahendra Bhatnagar (Hindi: महेंद्र भटनागर (Devanagari); born 26 June 1926) is a Hindi and Indian English poet from India. He is one of the significant post-independence voices in his field of poetry, expressing the lyricism and pathos, as well as aspirations and yearnings of the modern Indian intellect. \r Mahendra Bhatnagar is one of the many Indian poets whose literary careers were shaped by poetry in the post-independence of India in the 20th century. His poetic career over the years demonstrates his humanistic vision from beginning to end. Rooted deep into the Indian soil, his poems reflect not only the moods of a poet but of a complex age.[1][9] In his works, the thread of his humanistic vision can be seen vividly and he wrote poems to bring about a change in the world. He analyses, interprets, evaluates and describes his emotions in the light of his humanistic vision. For example, his poem \"Helplessness\" reveals not only his own helplessness, but also of the common people of India: \r \"Thrust upon, undesired life, I lived. \r Every instant, every step, shame I lived \r History, now you ask me what \r Folly and dirtiness of the world, I lived.   \r He also uses irony to expose the fraud of exploiters, particularly exposing the enemies of the labourers and the peasants of India. With his humanistic vision, he constantly compels the readers to distinguish between power and propriety. \r His poems were translated, published and broadcast in many foreign and Indian languages. However, he also edited Hindi literary magazines such as Sandhya and Pratikalpa magazines. He is also the adviser of Poetcrit magazine, and a member of the Advisory Board of Indian Journal of Postcolonial Literature magazine.","slug":"mahendra-bhatnagar","DOB":"1926-06-26","DateOfDemise":null,"location":"Nansar, Jhansi","url":"/sootradhar/mahendra-bhatnagar","tags":null,"created":"2023-09-22T12:41:08.524660","is_has_special_post":true,"is_special_author":false,"language":2},{"id":341,"image":"https://kavishalalab.s3.ap-south-1.amazonaws.com/sootradhar_author/Screenshot_2020-06-27_at_2.19.06_AM.png","name":"Neelam Saxena Chandra","bio":"<br>\r\nNeelam Saxena Chandra (born 27 June 1969) is an Indian poet and author. She has written children's stories and poetry. She also writes fiction in English and Hindi. She has received several awards including the Rabindranath Tagore International Award in 2014. given by Xpress Publications: Kerala, India. She is an IES Officer of 1993 batch, also served as Joint Secretary of Union Public Service Commission (UPSC). She has also served as General Manager of Pune Metro. She is now serving as ASSISTANT DIVISIONAL RAILWAY MANAGER(ADRM) OF PUNE DIVISION. She married SHRI PRAFULL CHANDRA who is an IES OFFICER. PRAFULL CHANDRA is currently serving as EDPM/RB/IR/MINISTRY OF RAILWAYS.\r\n<br>\r\n<ul>\r\n<li><em>Can I Have This Chance</em>&nbsp;(2014)</li>\r\n<li><em>Soul Seekers</em>&nbsp;(2013)</li>\r\n<li><em>Rishtey Mohabbat Ke</em>&nbsp;(2013)</li>\r\n<li><em>Pankhudiyan</em>&nbsp;(2013)</li>\r\n<li><em>Layers of Flickering Lights</em>&nbsp;(2013)</li>\r\n<li><em>Silhouette of Reflections</em>&nbsp;(2013)</li>\r\n<li><em>Skylines</em>&nbsp;(2014)</li>\r\n<li><em>The Purple Moon</em>&nbsp;(2014)</li>\r\n<li><em>Hues of Love</em></li>\r\n<li><em>Treacherous Lady</em></li>\r\n<li><em>Tales from Sundervan</em></li>\r\n<li><em>Chanda</em></li>\r\n<li><em>Five tales</em></li>\r\n<li><em>Winter Shall Fade</em>&nbsp;(2015)</li>\r\n<li><em>Her Story: Is not always a Story&nbsp;</em>(2015)</li>\r\n<li><em>Zindagi Ki Kalam Se</em>&nbsp;(2014)</li>\r\n<li><em>As a beginner for a beginning</em></li>\r\n<li><em>Geet Gaata Chal</em></li>\r\n<li><em>Casket of Stories</em>&nbsp;(2015)</li>\r\n<li><em>Pluck out the heart</em></li>\r\n<li><em>Asha Ke Pankh</em>&nbsp;(2015)</li>\r\n<li><em>Preet Pakhi</em>&nbsp;(2015)</li>\r\n<li><em>Dil Se</em>&nbsp;(2015)</li>\r\n<li><em>Sands of Time</em>&nbsp;(2015)</li>\r\n<li><em>Transcending Hearts</em>&nbsp;(2015)</li>\r\n<li><em>Tales of Eon</em>&nbsp;(2015)</li>\r\n<li><em>TavishikeTaare</em>&nbsp;(2015)</li>\r\n<li><em>TitliyonkeLokmein</em>&nbsp;(2015)</li>\r\n<li><em>Rambha</em>&nbsp;(2015)</li>\r\n<li><em>Tanke Hain Kuch Sitare</em>&nbsp;(2016)</li>\r\n<li><em>Bulbule Khayalon Ke</em>&nbsp;(2016)</li>\r\n<li><em>Rajjo, Rano Aur Surajmukhi</em>&nbsp;(2016)</li>\r\n<li><em>Mai Hawa Ho Gayee Hu</em>&nbsp;(2016)</li>\r\n<li><em>Butterflies of Hope</em>&nbsp;(2016)</li>\r\n<li><em>Kataraney Zindagi Ki</em>&nbsp;(2016)</li>\r\n<li><em>Saptrangi Pari Evam Rang Birangi Kahaniyaa</em>&nbsp;(2016)</li>\r\n</ul>\r\n<ul>\r\n<li><em>Stella</em>&nbsp;(2016)</li>\r\n<li><em>In the Flickering of an Eye</em>&nbsp;(2017)</li>\r\n<li><em>The Soul Unbound</em>&nbsp;(2017)</li>\r\n<li><em>Trove of Musings</em>&nbsp;(2017)</li>\r\n<li><em>Main Bahane Lagi Hun</em>&nbsp;(2017)</li>\r\n<li><em>Maine Rang Diye Alfaaz</em>&nbsp;(2017)</li>\r\n<li><em>Maine Tarashe hain Alfaaz</em>&nbsp;(2017)</li>\r\n<li><em>Rangi Main Tere Rang Mein</em>&nbsp;(2017)</li>\r\n<li><em>Ek Sahar Ummid Bhari</em>&nbsp;(2017)</li>\r\n<li><em>Zindagi ka Alaav</em>&nbsp;(2017)</li>\r\n<li><em>Ek Shama hardam jalti hai</em>&nbsp;(2017)</li>\r\n<li><em>Aaj baadal ban baras jaanaa hai</em>&nbsp;(2017)</li>\r\n<li><em>Misty Moments</em>&nbsp;(2017)</li>\r\n<li><em>A Princess, A goal and a mole</em>&nbsp;(2017)</li>\r\n</ul>","raw_bio":"\r Neelam Saxena Chandra (born 27 June 1969) is an Indian poet and author. She has written children's stories and poetry. She also writes fiction in English and Hindi. She has received several awards including the Rabindranath Tagore International Award in 2014. given by Xpress Publications: Kerala, India. She is an IES Officer of 1993 batch, also served as Joint Secretary of Union Public Service Commission (UPSC). She has also served as General Manager of Pune Metro. She is now serving as ASSISTANT DIVISIONAL RAILWAY MANAGER(ADRM) OF PUNE DIVISION. She married SHRI PRAFULL CHANDRA who is an IES OFFICER. PRAFULL CHANDRA is currently serving as EDPM/RB/IR/MINISTRY OF RAILWAYS.\r      Can I Have This Chance  (2014)   Soul Seekers  (2013)   Rishtey Mohabbat Ke  (2013)   Pankhudiyan  (2013)   Layers of Flickering Lights  (2013)   Silhouette of Reflections  (2013)   Skylines  (2014)   The Purple Moon  (2014)   Hues of Love   Treacherous Lady   Tales from Sundervan   Chanda   Five tales   Winter Shall Fade  (2015)   Her Story: Is not always a Story  (2015)   Zindagi Ki Kalam Se  (2014)   As a beginner for a beginning   Geet Gaata Chal   Casket of Stories  (2015)   Pluck out the heart   Asha Ke Pankh  (2015)   Preet Pakhi  (2015)   Dil Se  (2015)   Sands of Time  (2015)   Transcending Hearts  (2015)   Tales of Eon  (2015)   TavishikeTaare  (2015)   TitliyonkeLokmein  (2015)   Rambha  (2015)   Tanke Hain Kuch Sitare  (2016)   Bulbule Khayalon Ke  (2016)   Rajjo, Rano Aur Surajmukhi  (2016)   Mai Hawa Ho Gayee Hu  (2016)   Butterflies of Hope  (2016)   Kataraney Zindagi Ki  (2016)   Saptrangi Pari Evam Rang Birangi Kahaniyaa  (2016)       Stella  (2016)   In the Flickering of an Eye  (2017)   The Soul Unbound  (2017)   Trove of Musings  (2017)   Main Bahane Lagi Hun  (2017)   Maine Rang Diye Alfaaz  (2017)   Maine Tarashe hain Alfaaz  (2017)   Rangi Main Tere Rang Mein  (2017)   Ek Sahar Ummid Bhari  (2017)   Zindagi ka Alaav  (2017)   Ek Shama hardam jalti hai  (2017)   Aaj baadal ban baras jaanaa hai  (2017)   Misty Moments  (2017)   A Princess, A goal and a mole  (2017)  ","slug":"neelam-saxena-chandra","DOB":"1969-06-27","DateOfDemise":null,"location":"Nagpur, Maharashtra","url":"/sootradhar/neelam-saxena-chandra","tags":null,"created":"2023-09-22T12:17:49.717266","is_has_special_post":false,"is_special_author":false,"language":2},{"id":345,"image":"https://kavishalalab.s3.ap-south-1.amazonaws.com/sootradhar_author/Screenshot_2020-07-01_at_10.55.46_PM.png","name":"Sarojini Naidu","bio":"Sarojini Naidu (née Chattopadhyay; 13 February 1879 – 2 March 1949) was an Indian political activist and poet. A proponent of civil rights, women's emancipation, and anti-imperialistic ideas, she was an important figure in India's struggle for independence from colonial rule. Naidu's work as a poet earned her the sobriquet Nightingale of India by Mahatma Gandhi. <br>\r\nBorn in a Bengali family in Hyderabad, Naidu was educated in Chennai, London and Cambridge. Following her time in England, where she worked as a suffragist, she was drawn to Indian National Congress' movement for India's independence from British rule. She became a part of the Indian nationalist movement and became a follower of Mahatma Gandhi and his idea of swaraj. She was appointed the President of the Indian National Congress in 1925 and later became the Governor of the United Provinces in 1947, becoming the first woman to hold the office of Governor in the Dominion of India.\r\n<br>\r\nNaidu's poetry includes both children's poems and others written on more serious themes including patriotism, romance, and tragedy. Published in 1912, \"In the Bazaars of Hyderabad\" remains one of her most popular poems. She was married to Govindarajulu Naidu, a general physician, and had five children with him. She died of a cardiac arrest on 2 March 1949.<br>\r\nNaidu began writing at the age of 12. Her play, Maher Muneer, written in Persian, impressed the Nizam of Kingdom of Hyderabad.\r\n<br>\r\nIn 1905, her first collection of poems, named The Golden Threshold was published.[8] The volume bore an introduction by Arthur Symons. Her poems were admired by prominent Indian politicians like Gopal Krishna Gokhale.\r\n<br>\r\nNaidu poem \"In the Bazaars of Hyderabad\" was published as a part of The Bird of Time with her other poems in 1912. \"In the Bazaars of Hyderabad\" was well received by critics, who variously noted Naidu's visceral use of rich sensory images in her writing.<br>\r\nThe Feather of The Dawn which contained poems written in 1927 by Naidu was edited and published posthumously in 1961 by her daughter Padmaja Naidu.","raw_bio":"Sarojini Naidu (née Chattopadhyay; 13 February 1879 – 2 March 1949) was an Indian political activist and poet. A proponent of civil rights, women's emancipation, and anti-imperialistic ideas, she was an important figure in India's struggle for independence from colonial rule. Naidu's work as a poet earned her the sobriquet Nightingale of India by Mahatma Gandhi.  \r Born in a Bengali family in Hyderabad, Naidu was educated in Chennai, London and Cambridge. Following her time in England, where she worked as a suffragist, she was drawn to Indian National Congress' movement for India's independence from British rule. She became a part of the Indian nationalist movement and became a follower of Mahatma Gandhi and his idea of swaraj. She was appointed the President of the Indian National Congress in 1925 and later became the Governor of the United Provinces in 1947, becoming the first woman to hold the office of Governor in the Dominion of India.\r  \r Naidu's poetry includes both children's poems and others written on more serious themes including patriotism, romance, and tragedy. Published in 1912, \"In the Bazaars of Hyderabad\" remains one of her most popular poems. She was married to Govindarajulu Naidu, a general physician, and had five children with him. She died of a cardiac arrest on 2 March 1949. \r Naidu began writing at the age of 12. Her play, Maher Muneer, written in Persian, impressed the Nizam of Kingdom of Hyderabad.\r  \r In 1905, her first collection of poems, named The Golden Threshold was published.[8] The volume bore an introduction by Arthur Symons. Her poems were admired by prominent Indian politicians like Gopal Krishna Gokhale.\r  \r Naidu poem \"In the Bazaars of Hyderabad\" was published as a part of The Bird of Time with her other poems in 1912. \"In the Bazaars of Hyderabad\" was well received by critics, who variously noted Naidu's visceral use of rich sensory images in her writing. \r The Feather of The Dawn which contained poems written in 1927 by Naidu was edited and published posthumously in 1961 by her daughter Padmaja Naidu.","slug":"sarojini-naidu","DOB":"1879-02-13","DateOfDemise":"1949-03-02","location":"Hyderabad, Indian","url":"/sootradhar/sarojini-naidu","tags":null,"created":"2023-09-22T12:41:12.366036","is_has_special_post":true,"is_special_author":false,"language":2},{"id":352,"image":"https://kavishalalab.s3.ap-south-1.amazonaws.com/sootradhar_author/EcD75-3UYAEjsCO.jpeg","name":"Swami Vivekanand","bio":"Swami Vivekananda [ 12 January 1863 – 4 July 1902], born Narendranath Datta was an Indian Hindu monk, a chief disciple of the 19th-century Indian mystic Ramakrishna. He was a key figure in the introduction of the Indian philosophies of Vedanta and Yoga to the Western world and is credited with raising interfaith awareness, bringing Hinduism to the status of a major world religion during the late 19th century. He was a major force in the revival of Hinduism in India, and contributed to the concept of Indian nationalism as a tool of fight against the British empire in colonial India. Vivekananda founded the Ramakrishna Math and the Ramakrishna Mission. He is perhaps best known for his speech which began with the words - \"Sisters and brothers of America ...,\" in which he introduced Hinduism at the Parliament of the World's Religions in Chicago in 1893.\r\n\r\nBorn into an aristocratic Bengali Kayastha family of Calcutta, Vivekananda was inclined towards spirituality. He was influenced by his guru, Ramakrishna, from whom he learnt that all living beings were an embodiment of the divine self; therefore, service to God could be rendered by service to humankind. After Ramakrishna's death, Vivekananda toured the Indian subcontinent extensively and acquired first-hand knowledge of the conditions prevailing in British India. He later travelled to the United States, representing India at the 1893 Parliament of the World's Religions. Vivekananda conducted hundreds of public and private lectures and classes, disseminating tenets of Hindu philosophy in the United States, England and Europe. In India, Vivekananda is regarded as a patriotic saint, and his birthday is celebrated as National Youth Day.\r\n\r\nWorks :- \r\nLectures\r\nAlthough Vivekananda was a powerful orator and writer in English and Bengali, he was not a thorough scholar, and most of his published works were compiled from lectures given around the world which were \"mainly delivered .impromptu and with little preparation\". His main work, Raja Yoga, consists of talks he delivered in New York.\r\n\r\nLiterary works\r\nAccording to Banhatti, \"[a] singer, a painter, a wonderful master of language and a poet, Vivekananda was a complete artist\", composing many songs and poems, including his favourite,\"Kali the Mother\". Vivekananda blended humour with his teachings, and his language was lucid. His Bengali writings testify to his belief that words (spoken or written) should clarify ideas, rather than demonstrating the speaker (or writer's) knowledge.\r\n\r\nBartaman Bharat meaning \"Present Day India\"is an erudite Bengali language essay written by him, which was first published in the March 1899 issue of Udbodhan, the only Bengali language magazine of Ramakrishna Math and Ramakrishna Mission. The essay was reprinted as a book in 1905 and later compiled into the fourth volume of The Complete Works of Swami Vivekananda. In this essay his refrain to the readers was to honour and treat every Indian as a brother irrespective of whether he was born poor or in lower caste.","raw_bio":"Swami Vivekananda [ 12 January 1863 – 4 July 1902], born Narendranath Datta was an Indian Hindu monk, a chief disciple of the 19th-century Indian mystic Ramakrishna. He was a key figure in the introduction of the Indian philosophies of Vedanta and Yoga to the Western world and is credited with raising interfaith awareness, bringing Hinduism to the status of a major world religion during the late 19th century. He was a major force in the revival of Hinduism in India, and contributed to the concept of Indian nationalism as a tool of fight against the British empire in colonial India. Vivekananda founded the Ramakrishna Math and the Ramakrishna Mission. He is perhaps best known for his speech which began with the words - \"Sisters and brothers of America ...,\" in which he introduced Hinduism at the Parliament of the World's Religions in Chicago in 1893.\r \r Born into an aristocratic Bengali Kayastha family of Calcutta, Vivekananda was inclined towards spirituality. He was influenced by his guru, Ramakrishna, from whom he learnt that all living beings were an embodiment of the divine self; therefore, service to God could be rendered by service to humankind. After Ramakrishna's death, Vivekananda toured the Indian subcontinent extensively and acquired first-hand knowledge of the conditions prevailing in British India. He later travelled to the United States, representing India at the 1893 Parliament of the World's Religions. Vivekananda conducted hundreds of public and private lectures and classes, disseminating tenets of Hindu philosophy in the United States, England and Europe. In India, Vivekananda is regarded as a patriotic saint, and his birthday is celebrated as National Youth Day.\r \r Works :- \r Lectures\r Although Vivekananda was a powerful orator and writer in English and Bengali, he was not a thorough scholar, and most of his published works were compiled from lectures given around the world which were \"mainly delivered .impromptu and with little preparation\". His main work, Raja Yoga, consists of talks he delivered in New York.\r \r Literary works\r According to Banhatti, \"[a] singer, a painter, a wonderful master of language and a poet, Vivekananda was a complete artist\", composing many songs and poems, including his favourite,\"Kali the Mother\". Vivekananda blended humour with his teachings, and his language was lucid. His Bengali writings testify to his belief that words (spoken or written) should clarify ideas, rather than demonstrating the speaker (or writer's) knowledge.\r \r Bartaman Bharat meaning \"Present Day India\"is an erudite Bengali language essay written by him, which was first published in the March 1899 issue of Udbodhan, the only Bengali language magazine of Ramakrishna Math and Ramakrishna Mission. The essay was reprinted as a book in 1905 and later compiled into the fourth volume of The Complete Works of Swami Vivekananda. In this essay his refrain to the readers was to honour and treat every Indian as a brother irrespective of whether he was born poor or in lower caste.","slug":"swami-vivekanand","DOB":"1863-01-12","DateOfDemise":"1902-07-04","location":null,"url":"/sootradhar/swami-vivekanand","tags":null,"created":"2023-09-22T12:41:16.655268","is_has_special_post":true,"is_special_author":false,"language":2},{"id":356,"image":"https://kavishalalab.s3.ap-south-1.amazonaws.com/sootradhar_author/220px-Kamala_das.jpg","name":"Kamala Suraiyya","bio":"Kamala Surayya (born Kamala; 31 March 1934 – 31 May 2009), popularly known by her one-time pen name Madhavikutty and married name Kamala Das, was an Indian English poet as well as a leading Malayalam author from Kerala, India. Her popularity in Kerala is based chiefly on her short stories and autobiography, while her oeuvre in English, written under the name Kamala Das, is noted for the poems and explicit autobiography. She was also a widely read columnist and wrote on diverse topics including women's issues, child care, politics among others.<br>\r\n\r\nHer open and honest treatment of female sexuality, free from any sense of guilt, infused her writing with power and she got hope after freedom, but also marked her as an iconoclast in her generation. On 31 May 2009, aged 75, she died at a hospital in Pune.\r\n<br>\r\n<h2><span id=\"Books\" class=\"mw-headline\">Books</span></h2>\r\n<h3><span id=\"English\" class=\"mw-headline\">English</span></h3>\r\n<dl>\r\n<dt><em>Novel</em></dt>\r\n</dl>\r\n<ul>\r\n<li>1976:&nbsp;<em>Alphabet of Lust</em></li>\r\n</ul>\r\n<dl>\r\n<dt><em>Autobiography</em></dt>\r\n</dl>\r\n<ul>\r\n<li>1976:&nbsp;<em><a title=\"My Story (Kamala Das book)\" href=\"https://en.wikipedia.org/wiki/My_Story_(Kamala_Das_book)\">My Story</a></em></li>\r\n</ul>\r\n<dl>\r\n<dt><em>Short stories</em></dt>\r\n</dl>\r\n<ul>\r\n<li>1977:&nbsp;<em>A Doll for the Child Prostitute</em></li>\r\n<li>1992:&nbsp;<em>Padmavati the Harlot and Other Stories</em></li>\r\n</ul>\r\n<dl>\r\n<dt><em>Poetry</em></dt>\r\n</dl>\r\n<ul>\r\n<li>1964:&nbsp;<em>The Sirens</em></li>\r\n<li>1965:&nbsp;<em>Summer in Calcutta</em></li>\r\n<li>1967:&nbsp;<em>The Descendants</em></li>\r\n<li>1973:&nbsp;<em>The Old Playhouse and Other Poems</em></li>\r\n<li>1977: The Stranger Time</li>\r\n<li>1979:&nbsp;<em>Tonight, This Savage Rite</em>&nbsp;(with Pritish Nandy)</li>\r\n<li>1984:&nbsp;<em>Collected Poems</em></li>\r\n<li>1985:&nbsp;<em>The Anamalai Poems</em></li>\r\n<li>1997:&nbsp;<em>Only the Soul Knows How to Sing</em></li>\r\n<li>1999:&nbsp;<em>My Mother At Sixty-six</em></li>\r\n<li>2001:&nbsp;<em>Yaa Allah</em></li>\r\n</ul>\r\n<h3><span id=\"Malayalam\" class=\"mw-headline\">Malayalam</span></h3>\r\n<ul>\r\n<li>1964:&nbsp;<em>Pakshiyude Manam</em>&nbsp;(short stories)</li>\r\n<li>1966:&nbsp;<em>Naricheerukal Parakkumbol</em>&nbsp;(short stories)</li>\r\n<li>1968:&nbsp;<em>Thanuppu</em>&nbsp;(short story)</li>\r\n<li>1982:&nbsp;<em><a title=\"Ente Katha\" href=\"https://en.wikipedia.org/wiki/Ente_Katha\">Ente Katha</a></em>&nbsp;(autobiography)</li>\r\n<li>1987:&nbsp;<em>Balyakala Smaranakal</em>&nbsp;(childhood memoirs)</li>\r\n<li>1989:&nbsp;<em>Varshangalkku Mumbu</em>&nbsp;(novel)</li>\r\n<li>1990:&nbsp;<em>Palayan</em>&nbsp;(novel)</li>\r\n<li>1991:&nbsp;<em>Neypayasam</em>&nbsp;(short story)</li>\r\n<li>1992:&nbsp;<em>Dayarikkurippukal</em>&nbsp;(novel)</li>\r\n<li>1994:&nbsp;<em>Neermathalam Pootha Kalam</em>&nbsp;(novel)</li>\r\n<li>1996:&nbsp;<em>Kadal Mayooram</em>&nbsp;(short novel)</li>\r\n<li>1996:&nbsp;<em>Rohini</em>&nbsp;(short novel)</li>\r\n<li>1996:&nbsp;<em>Rathriyude Padavinyasam</em>&nbsp;(short novel)</li>\r\n<li>1996:&nbsp;<em>Aattukattil</em>&nbsp;(short novel)</li>\r\n<li>1996:&nbsp;<em>Chekkerunna Pakshikal</em>&nbsp;(short stories)</li>\r\n<li>1998:&nbsp;<em>Nashtapetta Neelambari</em>&nbsp;(short stories)</li>\r\n<li>2005:&nbsp;<em>Chandana Marangal</em>&nbsp;(novel)</li>\r\n<li>2005:&nbsp;<em>Madhavikkuttiyude Unmakkadhakal</em>&nbsp;(short stories)</li>\r\n<li>2005:&nbsp;<em>Vandikkalakal</em>&nbsp;(novel)</li>\r\n</ul>","raw_bio":"Kamala Surayya (born Kamala; 31 March 1934 – 31 May 2009), popularly known by her one-time pen name Madhavikutty and married name Kamala Das, was an Indian English poet as well as a leading Malayalam author from Kerala, India. Her popularity in Kerala is based chiefly on her short stories and autobiography, while her oeuvre in English, written under the name Kamala Das, is noted for the poems and explicit autobiography. She was also a widely read columnist and wrote on diverse topics including women's issues, child care, politics among others. \r \r Her open and honest treatment of female sexuality, free from any sense of guilt, infused her writing with power and she got hope after freedom, but also marked her as an iconoclast in her generation. On 31 May 2009, aged 75, she died at a hospital in Pune.\r    Books   English     Novel       1976:  Alphabet of Lust       Autobiography       1976:  My Story       Short stories       1977:  A Doll for the Child Prostitute   1992:  Padmavati the Harlot and Other Stories       Poetry       1964:  The Sirens   1965:  Summer in Calcutta   1967:  The Descendants   1973:  The Old Playhouse and Other Poems   1977: The Stranger Time   1979:  Tonight, This Savage Rite  (with Pritish Nandy)   1984:  Collected Poems   1985:  The Anamalai Poems   1997:  Only the Soul Knows How to Sing   1999:  My Mother At Sixty-six   2001:  Yaa Allah     Malayalam     1964:  Pakshiyude Manam  (short stories)   1966:  Naricheerukal Parakkumbol  (short stories)   1968:  Thanuppu  (short story)   1982:  Ente Katha  (autobiography)   1987:  Balyakala Smaranakal  (childhood memoirs)   1989:  Varshangalkku Mumbu  (novel)   1990:  Palayan  (novel)   1991:  Neypayasam  (short story)   1992:  Dayarikkurippukal  (novel)   1994:  Neermathalam Pootha Kalam  (novel)   1996:  Kadal Mayooram  (short novel)   1996:  Rohini  (short novel)   1996:  Rathriyude Padavinyasam  (short novel)   1996:  Aattukattil  (short novel)   1996:  Chekkerunna Pakshikal  (short stories)   1998:  Nashtapetta Neelambari  (short stories)   2005:  Chandana Marangal  (novel)   2005:  Madhavikkuttiyude Unmakkadhakal  (short stories)   2005:  Vandikkalakal  (novel)  ","slug":"kamala-suraiyya","DOB":"1937-03-31","DateOfDemise":"2009-05-31","location":null,"url":"/sootradhar/kamala-suraiyya","tags":null,"created":"2023-09-22T12:17:49.819637","is_has_special_post":false,"is_special_author":false,"language":2},{"id":363,"image":"https://kavishalalab.s3.ap-south-1.amazonaws.com/sootradhar_author/Margaret_Alexander_13270304753.jpg","name":"Margaret Walker","bio":"Margaret Walker (Margaret Abigail Walker Alexander by marriage; July 7, 1915 – November 30, 1998) was an American poet and writer. She was part of the African-American literary movement in Chicago, known as the Chicago Black Renaissance. Her notable works include For My People (1942) which won the Yale Series of Younger Poets Competition, and the novel Jubilee (1966), set in the South during the American Civil War.\r\n<br>\r\nBiography\r\nWalker was born in Birmingham, Alabama, to Sigismund C. Walker, a minister, and Marion (née Dozier) Walker, who helped their daughter by teaching her philosophy and poetry as a child. Her family moved to New Orleans when Walker was a young girl. She attended school there, including several years of college, before she moved north to Chicago.\r\n<br>\r\n\r\n<p>Literary writing<br />In 1942, Walker's poetry collection For My People won the Yale Series of Younger Poets Competition under the judgeship of editor Stephen Vincent Benet, thus making her the first black woman to receive a national writing prize. Her For My People was considered the \"most important collection of poetry written by a participant in the Black Chicago Renaissance before Gwendolyn Brooks's A Street in Bronzeville.\" Richard Barksdale says: \"The [title] poem was written when \"world-wide pain, sorrow, and affliction were tangibly evident, and few could isolate the Black man's dilemma from humanity's dilemma during the depression years or during the war years.\" He said that the power of resilience presented in the poem is a hope Walker holds out not only to black people, but to all people, to \"all the Adams and Eves.\"</p>\r\n<p>Walker's second published book (and only novel), Jubilee (1966), is the story of a slave family during and after the Civil War, and is based on her great-grandmother's life. It took her thirty years to write. Roger Whitlow says: \"It serves especially well as a response to white 'nostalgia' fiction about the antebellum and Reconstruction South.\"</p>\r\n<p>This book is considered important in African-American literature and Walker is an influential figure for younger authors. She was the first of a generation of women who started publishing more novels in the 1970s.</p>\r\n<p>In 1975, Walker released three albums of poetry on Folkways Records &ndash; Margaret Walker Alexander Reads Poems of Paul Laurence Dunbar and James Weldon Johnson and Langston Hughes; Margaret Walker Reads Margaret Walker and Langston Hughes; and The Poetry of Margaret Walker.</p>\r\n<p>Walker received a Candace Award from the National Coalition of 100 Black Women in 1989.</p>","raw_bio":"Margaret Walker (Margaret Abigail Walker Alexander by marriage; July 7, 1915 – November 30, 1998) was an American poet and writer. She was part of the African-American literary movement in Chicago, known as the Chicago Black Renaissance. Her notable works include For My People (1942) which won the Yale Series of Younger Poets Competition, and the novel Jubilee (1966), set in the South during the American Civil War.\r  \r Biography\r Walker was born in Birmingham, Alabama, to Sigismund C. Walker, a minister, and Marion (née Dozier) Walker, who helped their daughter by teaching her philosophy and poetry as a child. Her family moved to New Orleans when Walker was a young girl. She attended school there, including several years of college, before she moved north to Chicago.\r    Literary writing In 1942, Walker's poetry collection For My People won the Yale Series of Younger Poets Competition under the judgeship of editor Stephen Vincent Benet, thus making her the first black woman to receive a national writing prize. Her For My People was considered the \"most important collection of poetry written by a participant in the Black Chicago Renaissance before Gwendolyn Brooks's A Street in Bronzeville.\" Richard Barksdale says: \"The [title] poem was written when \"world-wide pain, sorrow, and affliction were tangibly evident, and few could isolate the Black man's dilemma from humanity's dilemma during the depression years or during the war years.\" He said that the power of resilience presented in the poem is a hope Walker holds out not only to black people, but to all people, to \"all the Adams and Eves.\"   Walker's second published book (and only novel), Jubilee (1966), is the story of a slave family during and after the Civil War, and is based on her great-grandmother's life. It took her thirty years to write. Roger Whitlow says: \"It serves especially well as a response to white 'nostalgia' fiction about the antebellum and Reconstruction South.\"   This book is considered important in African-American literature and Walker is an influential figure for younger authors. She was the first of a generation of women who started publishing more novels in the 1970s.   In 1975, Walker released three albums of poetry on Folkways Records – Margaret Walker Alexander Reads Poems of Paul Laurence Dunbar and James Weldon Johnson and Langston Hughes; Margaret Walker Reads Margaret Walker and Langston Hughes; and The Poetry of Margaret Walker.   Walker received a Candace Award from the National Coalition of 100 Black Women in 1989.","slug":"margaret-walker","DOB":"1915-07-07","DateOfDemise":"1998-11-10","location":null,"url":"/sootradhar/margaret-walker","tags":null,"created":"2023-09-22T12:41:45.510672","is_has_special_post":true,"is_special_author":false,"language":2},{"id":366,"image":"https://kavishalalab.s3.ap-south-1.amazonaws.com/sootradhar_author/34fee1f7041825f7dc0c0d0410ccbe01_400x400.jpeg","name":"Richard Aldington","bio":"Edward Godfree Aldington, was an English writer and poet. Aldington was best known for his World War I poetry, the 1929 novel, Death of a Hero, and the controversy arising from his 1955 Lawrence of Arabia: A Biographical Inquiry. His 1946 biography, Wellington, was awarded the James Tait Black Memorial Prize.\r\n<br>\r\n<br>Aldington, christened Edward Godfree, was born at Portsmouth, Hampshire, England, on July 8, 1892. At an early age, he moved with his mother, Jesse May, and father, middle-class lawer Albert Edward Aldington, to Dover. There he grew up with his sister Margery and attended preparatory schools, after which he studied for four years at Dover College. \r\n<br>\r\n<br>When he was sixteen, the family moved inland to Harrow, and then to Teddington. There, Richard (he chose to be called Richard while still a boy) enrolled in University College. He did not much enjoy the academic standards there, however. This was probably due to his having gotten used to the informal, eclectic education he provided himself in his father's excellent library, and studying with his older friend Dudley Grey who was a classical scholar and world traveler. In any case, he did not complete his education at University College due to a sudden financial loss suffered by his father, that forced him to withdraw. \r\n<br>\r\n<br>His early years were spent living a spartan lifestyle, concentrating mostly on the writing of his poetry and occasionaly publishing it, earning him an invitation by Brigit Patmore to a party where he met members of London's literary avant-garde such as Ford Madox Ford (than known as Ford Madox Hueffer), Harold Monro, W.B. Yeats, and Ezra Pound. After befriending Aldington, Pound soon introduced him to his American friend, Hilda Doolittle. Aldington and Doolittle were quickly attracted to each other and found that they had much in common including an ardent love of classical Greece and its literature. \r\n<br>\r\n<br>With a little financial help from his parents, Aldington was able to go to Paris for a few months in 1912. \"Ezra and H.D. were there,\" he wrote, \"so I didn't lack the companionship.\" He fell in love with Paris, wrote a few poems, and translated a few works. He then returned to London, but only for a short time before setting off on his first trip to Italy which lasted seven months. He was with Doolittle at this time and remembered it in later years as \"the good time.\" By the time he got back to London in the summer of 1913, Pound was already working on the first anthology of Imagist poetry, Des Imagistes.  \r\n<br>\r\n<br>Two years into the Great War, on June 24, 1916, Aldington and his friend, Carl Fallas left for military service. They were stationed at Dorsetshire until December, when they had completed their training and were sent to France. The two and a half years that Aldington spent in active duty during WWI was to become perhaps the greatest single influence on his writing for the decades to follow. His first, and perhaps most well known novel, Death of a Hero, is described by Norman Gates as \"one of the best novels about World War I and a savage satire of the society that RA felt was responsible for it.\" His most immediate literary response to the war was his collection of poetry Images of War, published in 1919. \r\n<br>\r\n<br>The 1920's and 30's Aldington's career advanced  as writer and critic. He enjoyed an influential friendship with T.S. Eliot, who took over editorship of the literary journal, the Egoist, from Aldington in 1917. He published 24 books, as editor or translator, or collections of his poems, between 1920 and 1929, including the first book of his about his friend D.H. Lawrence, D.H. Lawrence, An Indiscretion. Over the following ten years, he published several more collections of short stories, three long poems, four editions of his collected poems, miscellaneous literary journalism and wrote seven novels. He published his last novel, The Romance of Casanova: A Novel, in 1946. \r\n<br>\r\n<br>In 1935 he traveled to the United States  and rented a house on the Connecticut River at Old Lyme and lived there off and on for the following ten years. In 1937 he fell in love with the daughter-in- law of his old friend Brigit Patmore. Netta (at the time, Mrs. Michael Patmore) traveled with Aldington to Italy in April, and the two stayed there until October. While in Italy, Aldington finished his last important poem, The Crystal World, and was working on a novel, probably Seven Against Reeves. After Netta obtained her divorce from Michael, the two were wed in London on June 25, 1938. Their daughter, Catherine, was born shortly afterwards, and by September they were back in France where they stayed until February, 1939. \r\n<br>\r\n<br>In New York, in 1939, Viking had published Aldington's novel Rejected Guest, then offered him editorship of The Viking Book of Poetry of the English Speaking World. Back in Connecticut, Aldington sold serial rights to his memoirs to the Atlantic Monthly which were published in 1941 by Viking under the title Life for Life's Sake. He had been deeply disturbed by the First World War, and after the start of the Second, he felt that the Europe he had known was no longer there for him. His memoirs contained what he then felt was his farewell to his prewar Europe. \r\n<br>\r\n<br>After the Aldingtons had moved to Florida, Richard began working on his biography of the Duke of Wellington (published in 1943). This marked the beginning of his rather significant career as a biographer over the next ten years. In 1942, recalling the sale of the film rights to All Men Are Enemies ten years earlier, Aldington took his family to Hollywood where he hoped to work as a screen writer. They stayed in Hollywood for over three years while Richard worked as a freelance writer for the studios. He also finished The Duke, which he began in Florida, edited the Portable Oscar Wilde, and did a few translations. \r\n<br>\r\n<br>In 1954, income from the royalties from his numerous works diminished considerably with the publication of Aldington's biography of legendarily heroic Lawrence of Arabia. Lawrence L'Imposteur: T.E. Lawrence, the Legend and the Man, was published first in Paris, then a year later in London under the title, Lawrence of Arabia: A Biographical Inquiry. Aldington expected that he would be writing the biography of a hero, but in the process realized that the legend of the man was, in fact, legend indeed--and mostly of T.E. Lawrence's own making. Even though in later years, most historians came to agree with Aldington's account of the facts of Lawrence's life, the general public in 1955 was not ready to accept it. The abuse aimed at Aldington from his critics was overwhelming and resulted in publishers refusing to print his works and bookstores refusing to stock them for lack of demand. \r\n<br>\r\n<br>After 1957 the public's poor opinion of Aldington subsided somewhat, and his works went back into print and he was given more editing work. Several of his works were translated into Russian and he found himself quite surprised by his popularity in the Soviet Union. In February of 1962, he received an invitation from Alexei Surkov, Secretary of the Soviet Writers Union, to visit the USSR for the celebration of his seventieth birthday. Aldington looked forward to having the opportunity to flaunt his acceptance among his Russian readers to his fellow British intellectuals for whom he felt quite a bit of disdain. Before his death in 1962, in a letter to Eric Warman in May of that year, Aldington writes that with his trip to Leningrad and Moscow, \"I shall at least have the pleasure of annoying some people in G[reat] B[ritain].\" Aldington was asked to give a speech to the Writer's Club in Moscow during the celebration of his 70th birthday. Mikhail Urnov recalled Aldington's words, \"Here, in the Soviet Union, for the first time in my life I have met with extraordinary warmth and attention. This is the happiest day of my life. I shall never forget it.\"\r\n\t\t\t\t\t</p>","raw_bio":"Edward Godfree Aldington, was an English writer and poet. Aldington was best known for his World War I poetry, the 1929 novel, Death of a Hero, and the controversy arising from his 1955 Lawrence of Arabia: A Biographical Inquiry. His 1946 biography, Wellington, was awarded the James Tait Black Memorial Prize.\r    Aldington, christened Edward Godfree, was born at Portsmouth, Hampshire, England, on July 8, 1892. At an early age, he moved with his mother, Jesse May, and father, middle-class lawer Albert Edward Aldington, to Dover. There he grew up with his sister Margery and attended preparatory schools, after which he studied for four years at Dover College. \r    When he was sixteen, the family moved inland to Harrow, and then to Teddington. There, Richard (he chose to be called Richard while still a boy) enrolled in University College. He did not much enjoy the academic standards there, however. This was probably due to his having gotten used to the informal, eclectic education he provided himself in his father's excellent library, and studying with his older friend Dudley Grey who was a classical scholar and world traveler. In any case, he did not complete his education at University College due to a sudden financial loss suffered by his father, that forced him to withdraw. \r    His early years were spent living a spartan lifestyle, concentrating mostly on the writing of his poetry and occasionaly publishing it, earning him an invitation by Brigit Patmore to a party where he met members of London's literary avant-garde such as Ford Madox Ford (than known as Ford Madox Hueffer), Harold Monro, W.B. Yeats, and Ezra Pound. After befriending Aldington, Pound soon introduced him to his American friend, Hilda Doolittle. Aldington and Doolittle were quickly attracted to each other and found that they had much in common including an ardent love of classical Greece and its literature. \r    With a little financial help from his parents, Aldington was able to go to Paris for a few months in 1912. \"Ezra and H.D. were there,\" he wrote, \"so I didn't lack the companionship.\" He fell in love with Paris, wrote a few poems, and translated a few works. He then returned to London, but only for a short time before setting off on his first trip to Italy which lasted seven months. He was with Doolittle at this time and remembered it in later years as \"the good time.\" By the time he got back to London in the summer of 1913, Pound was already working on the first anthology of Imagist poetry, Des Imagistes.  \r    Two years into the Great War, on June 24, 1916, Aldington and his friend, Carl Fallas left for military service. They were stationed at Dorsetshire until December, when they had completed their training and were sent to France. The two and a half years that Aldington spent in active duty during WWI was to become perhaps the greatest single influence on his writing for the decades to follow. His first, and perhaps most well known novel, Death of a Hero, is described by Norman Gates as \"one of the best novels about World War I and a savage satire of the society that RA felt was responsible for it.\" His most immediate literary response to the war was his collection of poetry Images of War, published in 1919. \r    The 1920's and 30's Aldington's career advanced  as writer and critic. He enjoyed an influential friendship with T.S. Eliot, who took over editorship of the literary journal, the Egoist, from Aldington in 1917. He published 24 books, as editor or translator, or collections of his poems, between 1920 and 1929, including the first book of his about his friend D.H. Lawrence, D.H. Lawrence, An Indiscretion. Over the following ten years, he published several more collections of short stories, three long poems, four editions of his collected poems, miscellaneous literary journalism and wrote seven novels. He published his last novel, The Romance of Casanova: A Novel, in 1946. \r    In 1935 he traveled to the United States  and rented a house on the Connecticut River at Old Lyme and lived there off and on for the following ten years. In 1937 he fell in love with the daughter-in- law of his old friend Brigit Patmore. Netta (at the time, Mrs. Michael Patmore) traveled with Aldington to Italy in April, and the two stayed there until October. While in Italy, Aldington finished his last important poem, The Crystal World, and was working on a novel, probably Seven Against Reeves. After Netta obtained her divorce from Michael, the two were wed in London on June 25, 1938. Their daughter, Catherine, was born shortly afterwards, and by September they were back in France where they stayed until February, 1939. \r    In New York, in 1939, Viking had published Aldington's novel Rejected Guest, then offered him editorship of The Viking Book of Poetry of the English Speaking World. Back in Connecticut, Aldington sold serial rights to his memoirs to the Atlantic Monthly which were published in 1941 by Viking under the title Life for Life's Sake. He had been deeply disturbed by the First World War, and after the start of the Second, he felt that the Europe he had known was no longer there for him. His memoirs contained what he then felt was his farewell to his prewar Europe. \r    After the Aldingtons had moved to Florida, Richard began working on his biography of the Duke of Wellington (published in 1943). This marked the beginning of his rather significant career as a biographer over the next ten years. In 1942, recalling the sale of the film rights to All Men Are Enemies ten years earlier, Aldington took his family to Hollywood where he hoped to work as a screen writer. They stayed in Hollywood for over three years while Richard worked as a freelance writer for the studios. He also finished The Duke, which he began in Florida, edited the Portable Oscar Wilde, and did a few translations. \r    In 1954, income from the royalties from his numerous works diminished considerably with the publication of Aldington's biography of legendarily heroic Lawrence of Arabia. Lawrence L'Imposteur: T.E. Lawrence, the Legend and the Man, was published first in Paris, then a year later in London under the title, Lawrence of Arabia: A Biographical Inquiry. Aldington expected that he would be writing the biography of a hero, but in the process realized that the legend of the man was, in fact, legend indeed--and mostly of T.E. Lawrence's own making. Even though in later years, most historians came to agree with Aldington's account of the facts of Lawrence's life, the general public in 1955 was not ready to accept it. The abuse aimed at Aldington from his critics was overwhelming and resulted in publishers refusing to print his works and bookstores refusing to stock them for lack of demand. \r    After 1957 the public's poor opinion of Aldington subsided somewhat, and his works went back into print and he was given more editing work. Several of his works were translated into Russian and he found himself quite surprised by his popularity in the Soviet Union. In February of 1962, he received an invitation from Alexei Surkov, Secretary of the Soviet Writers Union, to visit the USSR for the celebration of his seventieth birthday. Aldington looked forward to having the opportunity to flaunt his acceptance among his Russian readers to his fellow British intellectuals for whom he felt quite a bit of disdain. Before his death in 1962, in a letter to Eric Warman in May of that year, Aldington writes that with his trip to Leningrad and Moscow, \"I shall at least have the pleasure of annoying some people in G[reat] B[ritain].\" Aldington was asked to give a speech to the Writer's Club in Moscow during the celebration of his 70th birthday. Mikhail Urnov recalled Aldington's words, \"Here, in the Soviet Union, for the first time in my life I have met with extraordinary warmth and attention. This is the happiest day of my life. I shall never forget it.\"\r \t\t\t\t\t","slug":"richard-aldington","DOB":"1892-07-08","DateOfDemise":"1962-07-27","location":"United Kingdom","url":"/sootradhar/richard-aldington","tags":null,"created":"2023-09-22T12:42:06.314988","is_has_special_post":true,"is_special_author":false,"language":2},{"id":368,"image":"https://kavishalalab.s3.ap-south-1.amazonaws.com/sootradhar_author/x300.jpg","name":"Ruth Krauss","bio":"Ruth Krauss (July 25, 1901 – July 10, 1993) was an American writer of children's books, including The Carrot Seed, and of theatrical poems for adult readers. Many of her books are still in print.<br>\r\n<h2><span id=\"Books\" class=\"mw-headline\">Books</span></h2>\r\n<h3><span id=\"Children.27s_books\"></span><span id=\"Children's_books\" class=\"mw-headline\">Children's books</span></h3>\r\n<ul>\r\n<li><em>A Good Man and His Good Wife</em>, illustrated by&nbsp;<a title=\"Ad Reinhardt\" href=\"https://en.wikipedia.org/wiki/Ad_Reinhardt\">Ad Reinhardt</a>&nbsp;(1944); re-illustrated by&nbsp;<a title=\"Marc Simont\" href=\"https://en.wikipedia.org/wiki/Marc_Simont\">Marc Simont</a>&nbsp;(1962)</li>\r\n<li><em><a title=\"The Carrot Seed\" href=\"https://en.wikipedia.org/wiki/The_Carrot_Seed\">The Carrot Seed</a></em>, illus.&nbsp;<a title=\"Crockett Johnson\" href=\"https://en.wikipedia.org/wiki/Crockett_Johnson\">Crockett Johnson</a>&nbsp;(1945)</li>\r\n<li><em>The Great Duffy</em>, illus.&nbsp;<a title=\"Mischa Richter\" href=\"https://en.wikipedia.org/wiki/Mischa_Richter\">Mischa Richter</a>&nbsp;(1946)</li>\r\n<li><em>The Growing Story</em>, illus. Phyllis Rowand (1947)</li>\r\n<li><em>Bears</em>, illus. Rowand (1948); re-illus.&nbsp;<a title=\"Maurice Sendak\" href=\"https://en.wikipedia.org/wiki/Maurice_Sendak\">Maurice Sendak</a>&nbsp;(2005)</li>\r\n<li><em>The Happy Day</em>, illus.&nbsp;<a title=\"Marc Simont\" href=\"https://en.wikipedia.org/wiki/Marc_Simont\">Marc Simont</a>&nbsp;(1949) &mdash;a&nbsp;<a title=\"Caldecott Medal\" href=\"https://en.wikipedia.org/wiki/Caldecott_Medal\">Caldecott Medal</a>&nbsp;Honor Book for Simont</li>\r\n<li><em>The Big World and the Little House</em>, illus. Simont (1949).</li>\r\n<li><em>The Backward Day</em>, illus. Simont (1950)</li>\r\n<li><em>I Can Fly</em>, illus.&nbsp;<a title=\"Mary Blair\" href=\"https://en.wikipedia.org/wiki/Mary_Blair\">Mary Blair</a>&nbsp;(1950)</li>\r\n<li><em>The Bundle Book</em>, illus. Helen Stone (1951)</li>\r\n<li><em>A Hole is to Dig: A First Book of First Definitions</em>, illus. Sendak (1952)</li>\r\n<li><em><a title=\"A Very Special House\" href=\"https://en.wikipedia.org/wiki/A_Very_Special_House\">A Very Special House</a></em>, illus. Sendak (1953) &mdash;a&nbsp;<a title=\"Caldecott Medal\" href=\"https://en.wikipedia.org/wiki/Caldecott_Medal\">Caldecott Medal</a>&nbsp;Honor Book for Sendak</li>\r\n<li><em>I'll Be You and You Be Me</em>, illus. Sendak (1954)</li>\r\n<li><em>How To Make An Earthquake</em>, illus. Johnson (1954)</li>\r\n<li><em>Charlotte and the White Horse</em>, illus. Sendak (1955)</li>\r\n<li><em>Is This You?</em>, by Krauss and Johnson (1955)</li>\r\n<li><em>I Want to Paint My Bathroom Blue</em>, illus. Sendak (1956)</li>\r\n<li><em>Monkey Day</em>, illus. Phyllis Rowand (1957)</li>\r\n<li><em>The Birthday Party</em>, illus. Sendak (1957)</li>\r\n<li><em>Somebody Else's Nut Tree, and Other Tales from Children</em>, illus. Sendak (1958)</li>\r\n<li><em>A Moon or a Button: A Collection of First Picture Ideas</em>, illus.&nbsp;<a title=\"Remy Charlip\" href=\"https://en.wikipedia.org/wiki/Remy_Charlip\">Remy Charlip</a>&nbsp;(1959</li>\r\n<li><em>Open House for Butterflies</em>, illus. Sendak (1960)</li>\r\n<li><em>Mama, I Wish I Was Snow; Child You'd Be Very Cold</em>, illus.&nbsp;<a title=\"Ellen Raskin\" href=\"https://en.wikipedia.org/wiki/Ellen_Raskin\">Ellen Raskin</a>&nbsp;(1962)</li>\r\n<li><em>A Bouquet of Littles</em>, illus. Jane Flora (1963</li>\r\n<li><em>Eyes, Nose, Fingers, Toes</em>, illus. Elizabeth Schneider (1964)</li>\r\n<li><em>What a Fine Day for ...</em>, illus. Remy Charlip, music by&nbsp;<a title=\"Al Carmines\" href=\"https://en.wikipedia.org/wiki/Al_Carmines\">Al Carmines</a>&nbsp;(1967)</li>\r\n<li><em>The Happy Egg</em>, illus. Johnson (1967)</li>\r\n<li><em>This Thumbprint: Words and Thumbprints</em>&nbsp;(1967)</li>\r\n<li><em>The Little King, the Little Queen, the Little Monster and Other Stories You Can Make Up Yourself</em>&nbsp;(1968)</li>\r\n<li><em>If Only</em>&nbsp;(1969)</li>\r\n<li><em>I Write It</em>, illus. Mary Chalmers (1970)</li>\r\n<li><em>Under Twenty</em>&nbsp;(1970)</li>\r\n<li><em>Everything Under a Mushroom</em>, illus.&nbsp;<a title=\"Margot Tomes\" href=\"https://en.wikipedia.org/wiki/Margot_Tomes\">Margot Tomes</a>&nbsp;(1973)</li>\r\n<li><em>Love and the Invention of Punctuation</em>&nbsp;(1973)</li>\r\n<li><em>Little Boat Lighter Than a Cork</em>, illus. Esther Gilman (1976)</li>\r\n<li><em>Under Thirteen</em>&nbsp;(1976)</li>\r\n<li><em>When I Walk I Change the Earth</em>&nbsp;(1978)</li>\r\n<li><em>Somebody Spilled the Sky</em>, illus. Eleanor Hazard (1979)</li>\r\n<li><em>Minnestrone</em>&nbsp;(1981)</li>\r\n<li><em>Re-examination of Freedom</em>&nbsp;(1981)</li>\r\n<li><em>Love Poems for Children</em>&nbsp;(1986)</li>\r\n<li><em>Big and Little</em>, illus. Mary Szilagyi (1987)</li>\r\n<li><em>And I Love You</em>, illus. Steven Kellogg (1987)</li>\r\n</ul>\r\n<h3><span id=\"Poetry_and_verse_plays\" class=\"mw-headline\">Poetry and verse plays</span></h3>\r\n<ul>\r\n<li><em>There's A Little Ambiguity Among the Bluebells and Other Theater Poems</em>&nbsp;(1968)</li>\r\n<li><em>The Cantilever Rainbow</em>, illus.&nbsp;<a title=\"Antonio Frasconi\" href=\"https://en.wikipedia.org/wiki/Antonio_Frasconi\">Antonio Frasconi</a>&nbsp;(1965)</li>\r\n<li><em>This Breast Gothic</em>&nbsp;(1973)</li>\r\n</ul>","raw_bio":"Ruth Krauss (July 25, 1901 – July 10, 1993) was an American writer of children's books, including The Carrot Seed, and of theatrical poems for adult readers. Many of her books are still in print.   Books   Children's books     A Good Man and His Good Wife , illustrated by  Ad Reinhardt  (1944); re-illustrated by  Marc Simont  (1962)   The Carrot Seed , illus.  Crockett Johnson  (1945)   The Great Duffy , illus.  Mischa Richter  (1946)   The Growing Story , illus. Phyllis Rowand (1947)   Bears , illus. Rowand (1948); re-illus.  Maurice Sendak  (2005)   The Happy Day , illus.  Marc Simont  (1949) —a  Caldecott Medal  Honor Book for Simont   The Big World and the Little House , illus. Simont (1949).   The Backward Day , illus. Simont (1950)   I Can Fly , illus.  Mary Blair  (1950)   The Bundle Book , illus. Helen Stone (1951)   A Hole is to Dig: A First Book of First Definitions , illus. Sendak (1952)   A Very Special House , illus. Sendak (1953) —a  Caldecott Medal  Honor Book for Sendak   I'll Be You and You Be Me , illus. Sendak (1954)   How To Make An Earthquake , illus. Johnson (1954)   Charlotte and the White Horse , illus. Sendak (1955)   Is This You? , by Krauss and Johnson (1955)   I Want to Paint My Bathroom Blue , illus. Sendak (1956)   Monkey Day , illus. Phyllis Rowand (1957)   The Birthday Party , illus. Sendak (1957)   Somebody Else's Nut Tree, and Other Tales from Children , illus. Sendak (1958)   A Moon or a Button: A Collection of First Picture Ideas , illus.  Remy Charlip  (1959   Open House for Butterflies , illus. Sendak (1960)   Mama, I Wish I Was Snow; Child You'd Be Very Cold , illus.  Ellen Raskin  (1962)   A Bouquet of Littles , illus. Jane Flora (1963   Eyes, Nose, Fingers, Toes , illus. Elizabeth Schneider (1964)   What a Fine Day for ... , illus. Remy Charlip, music by  Al Carmines  (1967)   The Happy Egg , illus. Johnson (1967)   This Thumbprint: Words and Thumbprints  (1967)   The Little King, the Little Queen, the Little Monster and Other Stories You Can Make Up Yourself  (1968)   If Only  (1969)   I Write It , illus. Mary Chalmers (1970)   Under Twenty  (1970)   Everything Under a Mushroom , illus.  Margot Tomes  (1973)   Love and the Invention of Punctuation  (1973)   Little Boat Lighter Than a Cork , illus. Esther Gilman (1976)   Under Thirteen  (1976)   When I Walk I Change the Earth  (1978)   Somebody Spilled the Sky , illus. Eleanor Hazard (1979)   Minnestrone  (1981)   Re-examination of Freedom  (1981)   Love Poems for Children  (1986)   Big and Little , illus. Mary Szilagyi (1987)   And I Love You , illus. Steven Kellogg (1987)     Poetry and verse plays     There's A Little Ambiguity Among the Bluebells and Other Theater Poems  (1968)   The Cantilever Rainbow , illus.  Antonio Frasconi  (1965)   This Breast Gothic  (1973)  ","slug":"ruth-krauss","DOB":"1901-07-25","DateOfDemise":"1993-07-10","location":"USA","url":"/sootradhar/ruth-krauss","tags":null,"created":"2023-09-22T12:17:49.990178","is_has_special_post":false,"is_special_author":false,"language":2},{"id":374,"image":"https://kavishalalab.s3.ap-south-1.amazonaws.com/sootradhar_author/220px-Jhumpa_Lahiri.jpg","name":"Jhumpa Lahiri","bio":"Nilanjana Sudeshna \"Jhumpa\" Lahiri (born July 11, 1967) is an American author known for her short stories, novels and essays in English, and, more recently, in Italian.\r\n<br>\r\nHer debut collection of short-stories Interpreter of Maladies (1999) won the Pulitzer Prize for Fiction and the PEN/Hemingway Award, and her first novel, The Namesake (2003), was adapted into the popular film of the same name. Her second story collection Unaccustomed Earth (2008) won the Frank O'Connor International Short Story Award, while her second novel, The Lowland (2013), was a finalist for both the Man Booker Prize and the National Book Award for Fiction. In these works, Lahiri explored the Indian-immigrant experience in America. In 2011, Lahiri moved to Rome, Italy and has since then published two books of essays, and in 2019, published her first novel in Italian called Dove mi trovo and also compiled, edited and translated the Penguin Book of Italian Short Stories which consists of 40 Italian short stories written by 40 different Italian writers. She has also translated some of her own writings and those of other authors from Italian into English.\r\n<br>\r\nIn 2014, Lahiri was awarded the National Humanities Medal.[2] She is currently a professor of creative writing at Princeton University.<br>\r\n<h2><span id=\"Bibliography\" class=\"mw-headline\">Bibliography</span></h2>\r\n<h3><span id=\"Novels\" class=\"mw-headline\">Novels</span></h3>\r\n<ul>\r\n<li><em><a title=\"The Namesake (novel)\" href=\"https://en.wikipedia.org/wiki/The_Namesake_(novel)\">The Namesake</a></em>&nbsp;(2003)</li>\r\n<li><em><a title=\"The Lowland\" href=\"https://en.wikipedia.org/wiki/The_Lowland\">The Lowland</a></em>&nbsp;(2013)</li>\r\n<li><em><a class=\"new\" title=\"Dove mi trovo (page does not exist)\" href=\"https://en.wikipedia.org/w/index.php?title=Dove_mi_trovo&amp;action=edit&amp;redlink=1\">Dove mi trovo</a></em>&nbsp;(<a title=\"Italian language\" href=\"https://en.wikipedia.org/wiki/Italian_language\">Italian</a>) (2018)</li>\r\n</ul>\r\n<h3><span id=\"Short_fiction\" class=\"mw-headline\">Short fiction</span></h3>\r\n<h4><span id=\"Collections\" class=\"mw-headline\">Collections</span></h4>\r\n<h5><span id=\"Interpreter_of_Maladies_.281999.29\"></span><span id=\"Interpreter_of_Maladies_(1999)\" class=\"mw-headline\"><em><a title=\"Interpreter of Maladies\" href=\"https://en.wikipedia.org/wiki/Interpreter_of_Maladies\">Interpreter of Maladies</a></em>&nbsp;(1999)</span></h5>\r\n<ul>\r\n<li>\"A Temporary Matter\" (previously published in&nbsp;<em><a title=\"The New Yorker\" href=\"https://en.wikipedia.org/wiki/The_New_Yorker\">The New Yorker</a></em>)</li>\r\n<li>\"When Mr. Pirzada Came to Dine\" (previously published in&nbsp;<em><a class=\"mw-redirect\" title=\"The Louisville Review\" href=\"https://en.wikipedia.org/wiki/The_Louisville_Review\">The Louisville Review</a></em>)</li>\r\n<li>\"Interpreter of Maladies\" (previously published in the&nbsp;<em><a class=\"mw-redirect\" title=\"Agni Review\" href=\"https://en.wikipedia.org/wiki/Agni_Review\">Agni Review</a></em>)</li>\r\n<li>\"A Real Durwan\" (previously published in the Harvard Review)</li>\r\n<li>\"Sexy\" (previously published in&nbsp;<em><a title=\"The New Yorker\" href=\"https://en.wikipedia.org/wiki/The_New_Yorker\">The New Yorker</a></em>)</li>\r\n<li>\"Mrs. Sen's\" (previously published in&nbsp;<em>Salamander</em>)</li>\r\n<li>\"This Blessed House\" (previously published in&nbsp;<em><a title=\"Epoch (American magazine)\" href=\"https://en.wikipedia.org/wiki/Epoch_(American_magazine)\">Epoch</a></em>)</li>\r\n<li>\"The Treatment of Bibi Haldar\" (previously published in&nbsp;<em><a class=\"mw-redirect\" title=\"Story Quarterly\" href=\"https://en.wikipedia.org/wiki/Story_Quarterly\">Story Quarterly</a></em>)</li>\r\n<li>\"The Third and Final Continent\"</li>\r\n</ul>\r\n<h5><span id=\"Unaccustomed_Earth_.282008.29\"></span><span id=\"Unaccustomed_Earth_(2008)\" class=\"mw-headline\"><em><a title=\"Unaccustomed Earth\" href=\"https://en.wikipedia.org/wiki/Unaccustomed_Earth\">Unaccustomed Earth</a></em>&nbsp;(2008)</span></h5>\r\n<ul>\r\n<li>\"Unaccustomed Earth\"</li>\r\n<li>\"Hell-Heaven\" (previously published in&nbsp;<em>The New Yorker</em>)</li>\r\n<li>\"A Choice of Accommodations\"</li>\r\n<li>\"Only Goodness\"</li>\r\n<li>\"Nobody's Business\" (previously published in&nbsp;<em>The New Yorker</em>)</li>\r\n<li>\"Once In A Lifetime\" (previously published in&nbsp;<em>The New Yorker</em>)</li>\r\n<li>\"Year's End\" (previously published in&nbsp;<em>The New Yorker</em>)</li>\r\n<li>\"Going Ashore\"</li>\r\n</ul>\r\n<h5><span id=\"Uncollected_short_fiction\" class=\"mw-headline\"></span><span id=\"Nonfiction\" class=\"mw-headline\">Nonfiction</span></h5>\r\n<h4><span id=\"Books\" class=\"mw-headline\">Books</span></h4>\r\n<ul>\r\n<li><em>In altre parole</em>&nbsp;(<a title=\"Italian language\" href=\"https://en.wikipedia.org/wiki/Italian_language\">Italian</a>) (2015) (English translation printed as&nbsp;<em>In Other Words</em>, 2016)</li>\r\n<li><em>Il vestito dei libri</em>&nbsp;(<a title=\"Italian language\" href=\"https://en.wikipedia.org/wiki/Italian_language\">Italian</a>) (English translation as&nbsp;<em>The Clothing of Books</em>, 2016)</li>\r\n</ul>\r\n<h4><span id=\"Uncollected_works\" class=\"mw-headline\">Uncollected works</span></h4>\r\n<ul>\r\n<li><em><a title=\"The Magic Barrel\" href=\"https://en.wikipedia.org/wiki/The_Magic_Barrel\">The Magic Barrel: Stories</a></em>&nbsp;(introduction) by&nbsp;<a title=\"Bernard Malamud\" href=\"https://en.wikipedia.org/wiki/Bernard_Malamud\">Bernard Malamud</a>,&nbsp;<a title=\"Farrar, Straus and Giroux\" href=\"https://en.wikipedia.org/wiki/Farrar,_Straus_and_Giroux\">Farrar, Straus and Giroux</a>, July 2003.</li>\r\n<li><a class=\"external text\" href=\"http://www.newyorker.com/archive/2004/09/06/040906fa_fact_lahiri\" rel=\"nofollow\">\"Cooking Lessons: The Long Way Home\"</a>&nbsp;(September 6, 2004,&nbsp;<em>The New Yorker</em>)</li>\r\n<li><em><a class=\"mw-redirect\" title=\"Malgudi Days (book)\" href=\"https://en.wikipedia.org/wiki/Malgudi_Days_(book)\">Malgudi Days</a></em>&nbsp;(introduction) by&nbsp;<a class=\"mw-redirect\" title=\"R.K. Narayan\" href=\"https://en.wikipedia.org/wiki/R.K._Narayan\">R.K. Narayan</a>,&nbsp;<a title=\"Penguin Classics\" href=\"https://en.wikipedia.org/wiki/Penguin_Classics\">Penguin Classics</a>, August 2006.</li>\r\n<li>\"Rhode Island\" in&nbsp;<em><a class=\"mw-redirect\" title=\"State by State: A Panoramic Portrait of America\" href=\"https://en.wikipedia.org/wiki/State_by_State:_A_Panoramic_Portrait_of_America\">State by State: A Panoramic Portrait of America</a></em>&nbsp;edited by Matt Weiland and&nbsp;<a title=\"Sean Wilsey\" href=\"https://en.wikipedia.org/wiki/Sean_Wilsey\">Sean Wilsey</a>,&nbsp;<a title=\"Ecco Press\" href=\"https://en.wikipedia.org/wiki/Ecco_Press\">Ecco</a>, September 16, 2008</li>\r\n<li><a class=\"external text\" href=\"http://www.newyorker.com/reporting/2009/11/23/091123fa_fact_lahiri\" rel=\"nofollow\">\"Improvisations: Rice\"</a>&nbsp;(November 23, 2009,&nbsp;<em>The New Yorker</em>)</li>\r\n<li><a class=\"external text\" href=\"http://www.newyorker.com/reporting/2011/06/13/110613fa_fact_lahiri\" rel=\"nofollow\">\"Reflections: Notes from a Literary Apprenticeship\"</a>&nbsp;(June 13, 2011,&nbsp;<em>The New Yorker</em>)</li>\r\n<li><em>The Suspension of Time: Reflections on&nbsp;<a title=\"Simon Dinnerstein\" href=\"https://en.wikipedia.org/wiki/Simon_Dinnerstein\">Simon Dinnerstein</a>&nbsp;and The Fulbright Triptych</em>&nbsp;edited by Daniel Slager,&nbsp;<a title=\"Milkweed Editions\" href=\"https://en.wikipedia.org/wiki/Milkweed_Editions\">Milkweed Editions</a>, June 14, 2011.</li>\r\n<li><a class=\"external text\" href=\"http://www.newyorker.com/magazine/2015/12/07/teach-yourself-italian\" rel=\"nofollow\">\"Teach Yourself Italian\"</a>&nbsp;(December 7, 2015,&nbsp;<em>The New Yorker</em>)</li>\r\n</ul>\r\n<h3><span id=\"Translations\" class=\"mw-headline\">Translations</span></h3>\r\n<ul>\r\n<li><em>Ties</em>&nbsp;(2017), translation from Italian of&nbsp;<a title=\"Domenico Starnone\" href=\"https://en.wikipedia.org/wiki/Domenico_Starnone\">Domenico Starnone</a>'s&nbsp;<em>Lacci</em></li>\r\n<li><em>Trick</em>&nbsp;(2018), translation from Italian of Domenico Starnone's&nbsp;<em>Scherzetto</em></li>\r\n</ul>","raw_bio":"Nilanjana Sudeshna \"Jhumpa\" Lahiri (born July 11, 1967) is an American author known for her short stories, novels and essays in English, and, more recently, in Italian.\r  \r Her debut collection of short-stories Interpreter of Maladies (1999) won the Pulitzer Prize for Fiction and the PEN/Hemingway Award, and her first novel, The Namesake (2003), was adapted into the popular film of the same name. Her second story collection Unaccustomed Earth (2008) won the Frank O'Connor International Short Story Award, while her second novel, The Lowland (2013), was a finalist for both the Man Booker Prize and the National Book Award for Fiction. In these works, Lahiri explored the Indian-immigrant experience in America. In 2011, Lahiri moved to Rome, Italy and has since then published two books of essays, and in 2019, published her first novel in Italian called Dove mi trovo and also compiled, edited and translated the Penguin Book of Italian Short Stories which consists of 40 Italian short stories written by 40 different Italian writers. She has also translated some of her own writings and those of other authors from Italian into English.\r  \r In 2014, Lahiri was awarded the National Humanities Medal.[2] She is currently a professor of creative writing at Princeton University.   Bibliography   Novels     The Namesake  (2003)   The Lowland  (2013)   Dove mi trovo  ( Italian ) (2018)     Short fiction   Collections   Interpreter of Maladies  (1999)     \"A Temporary Matter\" (previously published in  The New Yorker )   \"When Mr. Pirzada Came to Dine\" (previously published in  The Louisville Review )   \"Interpreter of Maladies\" (previously published in the  Agni Review )   \"A Real Durwan\" (previously published in the Harvard Review)   \"Sexy\" (previously published in  The New Yorker )   \"Mrs. Sen's\" (previously published in  Salamander )   \"This Blessed House\" (previously published in  Epoch )   \"The Treatment of Bibi Haldar\" (previously published in  Story Quarterly )   \"The Third and Final Continent\"     Unaccustomed Earth  (2008)     \"Unaccustomed Earth\"   \"Hell-Heaven\" (previously published in  The New Yorker )   \"A Choice of Accommodations\"   \"Only Goodness\"   \"Nobody's Business\" (previously published in  The New Yorker )   \"Once In A Lifetime\" (previously published in  The New Yorker )   \"Year's End\" (previously published in  The New Yorker )   \"Going Ashore\"     Nonfiction   Books     In altre parole  ( Italian ) (2015) (English translation printed as  In Other Words , 2016)   Il vestito dei libri  ( Italian ) (English translation as  The Clothing of Books , 2016)     Uncollected works     The Magic Barrel: Stories  (introduction) by  Bernard Malamud ,  Farrar, Straus and Giroux , July 2003.   \"Cooking Lessons: The Long Way Home\"  (September 6, 2004,  The New Yorker )   Malgudi Days  (introduction) by  R.K. Narayan ,  Penguin Classics , August 2006.   \"Rhode Island\" in  State by State: A Panoramic Portrait of America  edited by Matt Weiland and  Sean Wilsey ,  Ecco , September 16, 2008   \"Improvisations: Rice\"  (November 23, 2009,  The New Yorker )   \"Reflections: Notes from a Literary Apprenticeship\"  (June 13, 2011,  The New Yorker )   The Suspension of Time: Reflections on  Simon Dinnerstein  and The Fulbright Triptych  edited by Daniel Slager,  Milkweed Editions , June 14, 2011.   \"Teach Yourself Italian\"  (December 7, 2015,  The New Yorker )     Translations     Ties  (2017), translation from Italian of  Domenico Starnone 's  Lacci   Trick  (2018), translation from Italian of Domenico Starnone's  Scherzetto  ","slug":"jhumpa-lahiri","DOB":"1967-07-11","DateOfDemise":null,"location":"London, UK","url":"/sootradhar/jhumpa-lahiri","tags":null,"created":"2023-09-22T12:17:50.024908","is_has_special_post":false,"is_special_author":false,"language":2}],"description":"<p style=\"text-align: center; font-size: 24px;\"> The Great Poets and Writers in Indian and World History! </p>","image":"https://kavishalalab.s3.ap-south-1.amazonaws.com/sootradhar_description/black.jpg"}