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        {
            "id": 16451,
            "image": "https://kavishala.blob.core.windows.net/kavishalalabs/kavishala_logo.png",
            "name": "Nirupama Devi ",
            "bio": "Nirupama Devi (Bengali: নিরুপমা দেবী) (7 May 1883 – 7 January 1951) was a fiction writer from Berhampore in Murshidabad district. Her literary pseudonym was Srimati Devi.\nNirupama Devi's father was Nafar Chandra Bhatta who was a judicial employee. She was educated at home.\nIn 2013, Swapna Dutta writes for The Hindu that Nirupama Devi was an author who \"wrote fearlessly about the social ills of the time: polygamy, forced marriages, dowry-related torture, and the heartbreak of widowhood or of being discarded by the husband for no fault of theirs,\" \"wrote about society’s ruthless attitude to widows who dared to fall in love and, most of all, the utter helplessness of women in a male-dominated world,\" and \"told the stories from a woman's perspective.\"\nUchchhrinkhal was her first novel. Her other works include:",
            "raw_bio": "Nirupama Devi (Bengali: নিরুপমা দেবী) (7 May 1883 – 7 January 1951) was a fiction writer from Berhampore in Murshidabad district. Her literary pseudonym was Srimati Devi. Nirupama Devi's father was Nafar Chandra Bhatta who was a judicial employee. She was educated at home. In 2013, Swapna Dutta writes for The Hindu that Nirupama Devi was an author who \"wrote fearlessly about the social ills of the time: polygamy, forced marriages, dowry-related torture, and the heartbreak of widowhood or of being discarded by the husband for no fault of theirs,\" \"wrote about society’s ruthless attitude to widows who dared to fall in love and, most of all, the utter helplessness of women in a male-dominated world,\" and \"told the stories from a woman's perspective.\" Uchchhrinkhal was her first novel. Her other works include:",
            "slug": "nirupama-devi",
            "DOB": "1883-05-05",
            "DateOfDemise": null,
            "location": "Berhampore",
            "url": "/sootradhar/nirupama-devi",
            "tags": null,
            "created": "2023-09-22T12:18:20.602399",
            "is_has_special_post": false,
            "is_special_author": false,
            "language": 22
        },
        {
            "id": 16452,
            "image": "https://kavishala.blob.core.windows.net/kavishalalabs/kavishala_logo.png",
            "name": "Prabir Ghosh [1][2]",
            "bio": "nan",
            "raw_bio": "nan",
            "slug": "prabir-ghosh-12",
            "DOB": "1945-03-01",
            "DateOfDemise": null,
            "location": "Dum Dum, Kolkata, West Bengal, India",
            "url": "/sootradhar/prabir-ghosh-12",
            "tags": null,
            "created": "2023-09-22T12:18:20.613867",
            "is_has_special_post": false,
            "is_special_author": false,
            "language": 22
        },
        {
            "id": 16455,
            "image": "https://kavishala.blob.core.windows.net/kavishalalabs/kavishala_logo.png",
            "name": "Protiva Bose ",
            "bio": "\nProtiva Bose (also spelled Pratibha Basu; Bengali: প্রতিভা বসু) (March 13, 1915 – 13 October 2006) was a singer and one of the most prolific and widely read Bengali writers of novels, short stories, and essays.\nShe was born in a village near Dhaka in 1915 to Asutosh Shome and Sarajubala Shome. She was known as Ranu Shome before she married the Bengali writer, Buddhadev Bose in 1934. She had two daughters, Meenakshi Dutta and Damayanti Basu Singh, and a son, Suddhasil Bose, who died at the age of 42. One of her granddaughters, Kankabati Dutta, is also a well-known writer in Bengali.\nBose was also a singer of popular songs. She was a pupil of Ustad Gul Mohammad Khan. The poet Nazrul Islam, singer Dilip Kumar Roy, and Rabindranath Tagore admired her voice and taught her their own songs. She made her first LP at the age of 12 and continued until the 1940s, when she gave up singing and started writing.",
            "raw_bio": "Protiva Bose (also spelled Pratibha Basu; Bengali: প্রতিভা বসু) (March 13, 1915 – 13 October 2006) was a singer and one of the most prolific and widely read Bengali writers of novels, short stories, and essays. She was born in a village near Dhaka in 1915 to Asutosh Shome and Sarajubala Shome. She was known as Ranu Shome before she married the Bengali writer, Buddhadev Bose in 1934. She had two daughters, Meenakshi Dutta and Damayanti Basu Singh, and a son, Suddhasil Bose, who died at the age of 42. One of her granddaughters, Kankabati Dutta, is also a well-known writer in Bengali. Bose was also a singer of popular songs. She was a pupil of Ustad Gul Mohammad Khan. The poet Nazrul Islam, singer Dilip Kumar Roy, and Rabindranath Tagore admired her voice and taught her their own songs. She made her first LP at the age of 12 and continued until the 1940s, when she gave up singing and started writing.",
            "slug": "protiva-bose",
            "DOB": "1915-03-13",
            "DateOfDemise": null,
            "location": "Buddhadev Bose",
            "url": "/sootradhar/protiva-bose",
            "tags": null,
            "created": "2023-09-22T12:18:20.674783",
            "is_has_special_post": false,
            "is_special_author": false,
            "language": 22
        },
        {
            "id": 16456,
            "image": "https://kavishala.blob.core.windows.net/kavishalalabs/kavishala_logo.png",
            "name": "Rajsekhar Bose ",
            "bio": "\nRajshekhar Basu (Bengali: রাজশেখর বসু; better known by the pen name Parashuram; 16 March 1880 – 27 April 1960) was a Bengali chemist, author and lexicographer. He was chiefly known for his comic and satirical short stories, and is considered the greatest Bengali humorist of the 20th century. He was awarded the Padma Bhushan in 1956.\nBasu was born at his maternal uncle's home at Bamunpara near Kandorsona, British India  (now  Purba Bardhaman district of West Bengal, India).  He was the second son (and sixth child) of Chandrasekhar Basu and Lakshmimani Devi. His father, who belonged to the Basu family of Birnagar in Nadia District of West Bengal, was the Dewan Darbhanga Raj. Rajshekhar spent his childhood in Darbhanga, in the state of Bihar, and learned to speak Hindi as a first language, rather than Bengali. He was an inquisitive child and manifested a knack for science early in life. Shashisekhar, his elder brother, later wrote that the young Rajshekhar put together a laboratory at home equipped with two cupboards of various chemicals; he would forecast the weather by looking at a barometer that he had hung on the wall, would write prescriptions of cough-mixtures for his family members, and later, would even go to the Temple Medical School to dissect corpses.\nBasu was introduced to Bengali literature when he went to Patna to study for the F.A. degree, where he interacted with a number of Bengali speakers. After school, he moved to Calcutta and joined Presidency College, where he completed his BA and MA degrees in chemistry. After graduating he completed a degree in law as well, but only attended court for three days, after which he quit the legal profession for good, and decided to pursue a career in science.",
            "raw_bio": "Rajshekhar Basu (Bengali: রাজশেখর বসু; better known by the pen name Parashuram; 16 March 1880 – 27 April 1960) was a Bengali chemist, author and lexicographer. He was chiefly known for his comic and satirical short stories, and is considered the greatest Bengali humorist of the 20th century. He was awarded the Padma Bhushan in 1956. Basu was born at his maternal uncle's home at Bamunpara near Kandorsona, British India  (now  Purba Bardhaman district of West Bengal, India).  He was the second son (and sixth child) of Chandrasekhar Basu and Lakshmimani Devi. His father, who belonged to the Basu family of Birnagar in Nadia District of West Bengal, was the Dewan Darbhanga Raj. Rajshekhar spent his childhood in Darbhanga, in the state of Bihar, and learned to speak Hindi as a first language, rather than Bengali. He was an inquisitive child and manifested a knack for science early in life. Shashisekhar, his elder brother, later wrote that the young Rajshekhar put together a laboratory at home equipped with two cupboards of various chemicals; he would forecast the weather by looking at a barometer that he had hung on the wall, would write prescriptions of cough-mixtures for his family members, and later, would even go to the Temple Medical School to dissect corpses. Basu was introduced to Bengali literature when he went to Patna to study for the F.A. degree, where he interacted with a number of Bengali speakers. After school, he moved to Calcutta and joined Presidency College, where he completed his BA and MA degrees in chemistry. After graduating he completed a degree in law as well, but only attended court for three days, after which he quit the legal profession for good, and decided to pursue a career in science.",
            "slug": "rajsekhar-bose",
            "DOB": "1880-03-16",
            "DateOfDemise": null,
            "location": "Calcutta, West Bengal, India",
            "url": "/sootradhar/rajsekhar-bose",
            "tags": null,
            "created": "2023-09-22T12:18:20.698485",
            "is_has_special_post": false,
            "is_special_author": false,
            "language": 22
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        {
            "id": 16457,
            "image": "https://kavishala.blob.core.windows.net/kavishalalabs/kavishala_logo.png",
            "name": "Samaresh Majumdar ",
            "bio": "\nSamares Majumdar (10 March 1944 – 8 May 2023) was an Indian Bengali language writer from West Bengal.\nMajumdar was born on 10 March 1944 in Gairkata, Jalpaiguri district in the then British India. He spent his childhood years in the tea gardens of Dooars, Gairkata in Jalpaiguri district, West Bengal, India. He was a student of the Jalpaiguri Zilla School, Jalpaiguri. He completed his bachelor's degree in Bengali literature from Scottish Church College in Kolkata and his master's degree in Bengali Literature from University of Calcutta. His first story appeared in Desh literary magazine in 1967. Dour (\"Run\") was his first novel, which was published in Desh in 1976. He was associated with the Ananda Publishers.\nMajumdar was best known for his Animesh series of novels, the second of which (Kalbela) won the Sahitya Akademi Award in 1984. He was also known for creating the detective character Arjun, who is the central character of the 2013 film Arjun – Kalimpong E Sitaharan. The Bengali film Buno Haansh is also based on his novel of the same name, which was published in Pujabarshiki Anondolok. Majumdar was a versatile writer, and many of his novels contain elements of suspense. His novels include Aath Kuthuri Noy Daraja, Bandinibash, Daybadhha, Buno Haansher Palak, and Saatkahon. Majumdar worked on short stories, novels, travelogues and children's fiction. His quartet of Uttoradhikar, Kalbela, Kalpurush, and Mousalkal is now considered as a modern classic.",
            "raw_bio": "Samares Majumdar (10 March 1944 – 8 May 2023) was an Indian Bengali language writer from West Bengal. Majumdar was born on 10 March 1944 in Gairkata, Jalpaiguri district in the then British India. He spent his childhood years in the tea gardens of Dooars, Gairkata in Jalpaiguri district, West Bengal, India. He was a student of the Jalpaiguri Zilla School, Jalpaiguri. He completed his bachelor's degree in Bengali literature from Scottish Church College in Kolkata and his master's degree in Bengali Literature from University of Calcutta. His first story appeared in Desh literary magazine in 1967. Dour (\"Run\") was his first novel, which was published in Desh in 1976. He was associated with the Ananda Publishers. Majumdar was best known for his Animesh series of novels, the second of which (Kalbela) won the Sahitya Akademi Award in 1984. He was also known for creating the detective character Arjun, who is the central character of the 2013 film Arjun – Kalimpong E Sitaharan. The Bengali film Buno Haansh is also based on his novel of the same name, which was published in Pujabarshiki Anondolok. Majumdar was a versatile writer, and many of his novels contain elements of suspense. His novels include Aath Kuthuri Noy Daraja, Bandinibash, Daybadhha, Buno Haansher Palak, and Saatkahon. Majumdar worked on short stories, novels, travelogues and children's fiction. His quartet of Uttoradhikar, Kalbela, Kalpurush, and Mousalkal is now considered as a modern classic.",
            "slug": "samaresh-majumdar",
            "DOB": "1944-03-10",
            "DateOfDemise": null,
            "location": "Kolkata, West Bengal, India",
            "url": "/sootradhar/samaresh-majumdar",
            "tags": null,
            "created": "2023-09-22T12:18:20.706684",
            "is_has_special_post": false,
            "is_special_author": false,
            "language": 22
        },
        {
            "id": 16458,
            "image": "https://kavishala.blob.core.windows.net/kavishalalabs/kavishala_logo.png",
            "name": "Samir Roychoudhury ",
            "bio": "\nSamir Roychowdhury (Bengali: সমীর রায়চৌধুরী) (1 November 1933 – 22 June 2016), one of the founding fathers of the Hungry Generation (also known as Hungryalism or Hungrealism (1961–1965)), was born at Panihati, West Bengal, in a family of artists, sculptors, photographers, and musicians. His grandfather Lakshminarayan, doyen of the Sabarna Roy Choudhury clan of Uttarpara, had learned drawing and bromide-paper photography from John Lockwood Kipling, father of Rudyard Kipling, who was Curator at the Lahore Museum (now in Pakistan), and thereafter established the first mobile photography-cum-painting company in India in the mid-1880s. The company was later taken over by Samir's father Ranjit (1909–1991). Samir's mother Amita (1916–1982) was from a progressive family of 19th-century Bengal renaissance.\nSamir's grandfather, Sri Lakshminarayan Roy Chowdhury established a permanent photography-cum-painting shop at Patna, Bihar in 1886, the city from which Samir, along with his younger brother Malay Roy Choudhury, Shakti Chattopadhyay and Debi Ray, had launched the Hungryalism (হাংরি আন্দোলন) movement in November 1961. Samir's uncle Pramod was Keeper of Paintings and Sculpture at the Patna Museum. Pramod's daughters, Sabitri and Dharitri were accomplished veena players and classical singers. Dharitri was a painter as well. Samir's mother Amita Banerjee came from a family where her father Dr.Kishori Mohan Bandyopadhyay was a fellow researcher and an assistant of Ronald Ross, Nobel prize winner for discovering the causes of malaria. Right from childhood, Samir was thus in the company of people who could groom him for his later literary achievements.\nSamir studied at City College, Calcutta, where he found as his classmates, Dipak Majumdar, Sunil Gangopadhyay and Ananda Bagchi, who were preparing to start an exclusive poetry magazine, named Krittibas (1953). Samir became an active member of the group. Sunil Gangopadhyay's first collection of poems Eka Ebong Koyekjan was funded and published by Samir. However, when Dipak Majumdar left Krittibas, Samir along with Sandipan Chattopadhyay, Ananda Bagchi and Utpalkumar Basu were eased out of the group, although Samir had edited the Phanishwarnath Renu issue of the magazine. Samir left the group and took up a job of marine fisheries expert in a ship which most of the time was in the Arabian Sea, an experience which was later beneficial for Hungryalism inputs. His first poetry collection Jharnar Pashey Shuye Aachhi (ঝর্ণার পাশে শুয়ে আছি) (i.e. \"Sleeping Beside An Waterfall\") was premised on the blueness of experience of this marine period.",
            "raw_bio": "Samir Roychowdhury (Bengali: সমীর রায়চৌধুরী) (1 November 1933 – 22 June 2016), one of the founding fathers of the Hungry Generation (also known as Hungryalism or Hungrealism (1961–1965)), was born at Panihati, West Bengal, in a family of artists, sculptors, photographers, and musicians. His grandfather Lakshminarayan, doyen of the Sabarna Roy Choudhury clan of Uttarpara, had learned drawing and bromide-paper photography from John Lockwood Kipling, father of Rudyard Kipling, who was Curator at the Lahore Museum (now in Pakistan), and thereafter established the first mobile photography-cum-painting company in India in the mid-1880s. The company was later taken over by Samir's father Ranjit (1909–1991). Samir's mother Amita (1916–1982) was from a progressive family of 19th-century Bengal renaissance. Samir's grandfather, Sri Lakshminarayan Roy Chowdhury established a permanent photography-cum-painting shop at Patna, Bihar in 1886, the city from which Samir, along with his younger brother Malay Roy Choudhury, Shakti Chattopadhyay and Debi Ray, had launched the Hungryalism (হাংরি আন্দোলন) movement in November 1961. Samir's uncle Pramod was Keeper of Paintings and Sculpture at the Patna Museum. Pramod's daughters, Sabitri and Dharitri were accomplished veena players and classical singers. Dharitri was a painter as well. Samir's mother Amita Banerjee came from a family where her father Dr.Kishori Mohan Bandyopadhyay was a fellow researcher and an assistant of Ronald Ross, Nobel prize winner for discovering the causes of malaria. Right from childhood, Samir was thus in the company of people who could groom him for his later literary achievements. Samir studied at City College, Calcutta, where he found as his classmates, Dipak Majumdar, Sunil Gangopadhyay and Ananda Bagchi, who were preparing to start an exclusive poetry magazine, named Krittibas (1953). Samir became an active member of the group. Sunil Gangopadhyay's first collection of poems Eka Ebong Koyekjan was funded and published by Samir. However, when Dipak Majumdar left Krittibas, Samir along with Sandipan Chattopadhyay, Ananda Bagchi and Utpalkumar Basu were eased out of the group, although Samir had edited the Phanishwarnath Renu issue of the magazine. Samir left the group and took up a job of marine fisheries expert in a ship which most of the time was in the Arabian Sea, an experience which was later beneficial for Hungryalism inputs. His first poetry collection Jharnar Pashey Shuye Aachhi (ঝর্ণার পাশে শুয়ে আছি) (i.e. \"Sleeping Beside An Waterfall\") was premised on the blueness of experience of this marine period.",
            "slug": "samir-roychoudhury",
            "DOB": "1933-11-01",
            "DateOfDemise": null,
            "location": "Kolkata (Calcutta), West Bengal, India",
            "url": "/sootradhar/samir-roychoudhury",
            "tags": null,
            "created": "2023-09-22T12:18:20.729569",
            "is_has_special_post": false,
            "is_special_author": false,
            "language": 22
        },
        {
            "id": 16459,
            "image": "https://kavishala.blob.core.windows.net/kavishalalabs/kavishala_logo.png",
            "name": "Sandipan Chattopadhyay ",
            "bio": "\nSandipan Chattopadhyay (25 October 1933 – 12 December 2005) was an Indian Bengali writer. His 1961 book \"Kritadas Kritadasi\" changed the landscape of Bengali fiction and made his name. A staunch anti-establishment figure and a supporter of creative freedom, Sandipan for some time refused association with the big Bengali publishing houses.\nHe was one of the pioneers of the Hungryalism Movement হাংরি আন্দোলন, also known as the Hungry generation, during 1961–65, though he, along with Binoy Majumdar, Shakti Chattopadhyay quit the movement over literary differences with fellow members Malay Roy Choudhury, Subimal Basak, Tridib Mitra and Samir Roychoudhury.\nHe was awarded the Sahitya Academy award for his book Ami O Banabihari.In His Sahityo Academy Award-winning novel Ami O Banabihari (2000), Sandipan fashions a very subtle critique of the ruling Communist party on the basis of an exclusion and silencing of the real ‘sub-altern’—the tribal proletariat. His decision to dedicate the novel to Budhyadeb Bhattacharya (called ‘poet, dramatist and minister’ in the dedicatory note) is a funny little polemic! He died after a prolonged respiratory illness in December 2005.",
            "raw_bio": "Sandipan Chattopadhyay (25 October 1933 – 12 December 2005) was an Indian Bengali writer. His 1961 book \"Kritadas Kritadasi\" changed the landscape of Bengali fiction and made his name. A staunch anti-establishment figure and a supporter of creative freedom, Sandipan for some time refused association with the big Bengali publishing houses. He was one of the pioneers of the Hungryalism Movement হাংরি আন্দোলন, also known as the Hungry generation, during 1961–65, though he, along with Binoy Majumdar, Shakti Chattopadhyay quit the movement over literary differences with fellow members Malay Roy Choudhury, Subimal Basak, Tridib Mitra and Samir Roychoudhury. He was awarded the Sahitya Academy award for his book Ami O Banabihari.In His Sahityo Academy Award-winning novel Ami O Banabihari (2000), Sandipan fashions a very subtle critique of the ruling Communist party on the basis of an exclusion and silencing of the real ‘sub-altern’—the tribal proletariat. His decision to dedicate the novel to Budhyadeb Bhattacharya (called ‘poet, dramatist and minister’ in the dedicatory note) is a funny little polemic! He died after a prolonged respiratory illness in December 2005.",
            "slug": "sandipan-chattopadhyay",
            "DOB": "1933-10-25",
            "DateOfDemise": null,
            "location": "British India",
            "url": "/sootradhar/sandipan-chattopadhyay",
            "tags": null,
            "created": "2023-09-22T12:18:20.759397",
            "is_has_special_post": false,
            "is_special_author": false,
            "language": 22
        },
        {
            "id": 16460,
            "image": "https://kavishala.blob.core.windows.net/kavishalalabs/kavishala_logo.png",
            "name": "Sanjib Chattopadhyay ",
            "bio": "\n(wife)\n(son)\n(daughter in law)",
            "raw_bio": "(wife) (son) (daughter in law)",
            "slug": "sanjib-chattopadhyay",
            "DOB": "1936-10-24",
            "DateOfDemise": null,
            "location": "Calcutta",
            "url": "/sootradhar/sanjib-chattopadhyay",
            "tags": null,
            "created": "2023-09-22T12:18:20.771064",
            "is_has_special_post": false,
            "is_special_author": false,
            "language": 22
        },
        {
            "id": 16461,
            "image": "https://kavishala.blob.core.windows.net/kavishalalabs/kavishala_logo.png",
            "name": "Satyajit Ray ",
            "bio": "\nSatyajit Ray BR (Bengali pronunciation:  (listen); 2 May 1921 – 23 April 1992) was an Indian director, screenwriter, documentary filmmaker, author, essayist, lyricist, magazine editor, illustrator, calligrapher, and composer. Widely considered one of the greatest  film-makers of all time, Ray is celebrated for works including The Apu Trilogy (1955–1959), The Music Room (1958), The Big City (1963) and Charulata (1964) and the Goopy–Bagha trilogy.\nRay was born in Calcutta to nonsense rhyme author Sukumar Ray. Starting his career as a commercial artist, Ray was drawn into independent film-making after meeting French filmmaker Jean Renoir and viewing Vittorio De Sica's Italian neorealist film Bicycle Thieves (1948) during a visit to London.\nRay directed 36 films, including feature films, documentaries, and shorts. Ray's first film, Pather Panchali (1955) won eleven international prizes, including the inaugural Best Human Document award at the 1956 Cannes Film Festival. This film, along with Aparajito (1956) and Apur Sansar (The World of Apu) (1959), form The Apu Trilogy. Ray did the scripting, casting, scoring, and editing, and designed his own credit titles and publicity material. He also authored several short stories and novels, primarily for young children and teenagers. Popular characters created by Ray include Feluda the sleuth, Professor Shonku the scientist, Tarini Khuro the storyteller, and Lalmohan Ganguly the novelist.",
            "raw_bio": "Satyajit Ray BR (Bengali pronunciation:  (listen); 2 May 1921 – 23 April 1992) was an Indian director, screenwriter, documentary filmmaker, author, essayist, lyricist, magazine editor, illustrator, calligrapher, and composer. Widely considered one of the greatest  film-makers of all time, Ray is celebrated for works including The Apu Trilogy (1955–1959), The Music Room (1958), The Big City (1963) and Charulata (1964) and the Goopy–Bagha trilogy. Ray was born in Calcutta to nonsense rhyme author Sukumar Ray. Starting his career as a commercial artist, Ray was drawn into independent film-making after meeting French filmmaker Jean Renoir and viewing Vittorio De Sica's Italian neorealist film Bicycle Thieves (1948) during a visit to London. Ray directed 36 films, including feature films, documentaries, and shorts. Ray's first film, Pather Panchali (1955) won eleven international prizes, including the inaugural Best Human Document award at the 1956 Cannes Film Festival. This film, along with Aparajito (1956) and Apur Sansar (The World of Apu) (1959), form The Apu Trilogy. Ray did the scripting, casting, scoring, and editing, and designed his own credit titles and publicity material. He also authored several short stories and novels, primarily for young children and teenagers. Popular characters created by Ray include Feluda the sleuth, Professor Shonku the scientist, Tarini Khuro the storyteller, and Lalmohan Ganguly the novelist.",
            "slug": "satyajit-ray",
            "DOB": "1921-05-02",
            "DateOfDemise": null,
            "location": "Calcutta, West Bengal, India",
            "url": "/sootradhar/satyajit-ray",
            "tags": null,
            "created": "2023-09-22T12:18:20.783320",
            "is_has_special_post": false,
            "is_special_author": false,
            "language": 22
        },
        {
            "id": 16464,
            "image": "https://kavishala.blob.core.windows.net/kavishalalabs/kavishala_logo.png",
            "name": "Shaktipada Rajguru ",
            "bio": "\nShaktipada Rajguru (Bengali: শক্তিপদ রাজগুরু) (1 February 1922 – 12 June 2014) was an Indian Bengali writer. Several of his novels have been adapted for the screen including the Ritwik Ghatak-directed Meghe Dhaka Tara and the Shakti Samanta-directed Amanush. His stories have been translated into Hindi, Tamil, and Malayalam.\nShaktipada Rajguru was born on 1 February 1922 in Gopebandi, Bankura District, in what is now West Bengal, India. His early schooling was at Pachthopi Trailakyanath Institutional School in Murshidabad. He received his bachelor's degree from Surendranath College under the University of Calcutta. He began writing in 1945 with his first novel, Dinguli Mor, which revolved around the sensitive topic of the plight of refugees. Over the course of his career he wrote over 100 novels. He died on 12 June 2014 at the age of 92.\nShaktipada Rajguru was fond of travelling and many of his novels are set in locations such as Chota Nagpur, Maharashtra, and Dandakaranya, places distant from Kolkata, where his novels are published. He was fond of describing nature in great detail and in portraying strong central characters in these locations. He cites Bibhutibhushan Bandopadhyay and Tarashankar Bandopadhyay as major influences.",
            "raw_bio": "Shaktipada Rajguru (Bengali: শক্তিপদ রাজগুরু) (1 February 1922 – 12 June 2014) was an Indian Bengali writer. Several of his novels have been adapted for the screen including the Ritwik Ghatak-directed Meghe Dhaka Tara and the Shakti Samanta-directed Amanush. His stories have been translated into Hindi, Tamil, and Malayalam. Shaktipada Rajguru was born on 1 February 1922 in Gopebandi, Bankura District, in what is now West Bengal, India. His early schooling was at Pachthopi Trailakyanath Institutional School in Murshidabad. He received his bachelor's degree from Surendranath College under the University of Calcutta. He began writing in 1945 with his first novel, Dinguli Mor, which revolved around the sensitive topic of the plight of refugees. Over the course of his career he wrote over 100 novels. He died on 12 June 2014 at the age of 92. Shaktipada Rajguru was fond of travelling and many of his novels are set in locations such as Chota Nagpur, Maharashtra, and Dandakaranya, places distant from Kolkata, where his novels are published. He was fond of describing nature in great detail and in portraying strong central characters in these locations. He cites Bibhutibhushan Bandopadhyay and Tarashankar Bandopadhyay as major influences.",
            "slug": "shaktipada-rajguru",
            "DOB": "1922-02-01",
            "DateOfDemise": null,
            "location": "Bankura District",
            "url": "/sootradhar/shaktipada-rajguru",
            "tags": null,
            "created": "2023-09-22T12:18:20.838996",
            "is_has_special_post": false,
            "is_special_author": false,
            "language": 22
        },
        {
            "id": 16465,
            "image": "https://kavishala.blob.core.windows.net/kavishalalabs/kavishala_logo.png",
            "name": "Sharadindu Bandyopadhyay ",
            "bio": "\nSharadindu Bandyopadhyay (30 March 1899 – 22 September 1970) was an Indian Bengali-language writer. He was actively involved with Bengali cinema as well as Bollywood. The creator of the Bengali detective Byomkesh Bakshi, Sharadindu composed stories of a wide array of varieties including: novels, short stories, crime and detective stories, plays and screenplays. He wrote historical fiction like Kaler Mandira, Gourmollar (initially named as Mouri Nodir Teere), Tumi Sandhyar Megh, Tungabhadrar Teere, Chuya-Chandan, Maru O Sangha (later made into a Hindi film named Trishagni), Sadashib series and stories of the unnatural with the recurring character Baroda. Besides, he composed many songs and poems.\nHe was born to Tarabhushan and Bijaliprabha Bandyopadhyay at his maternal grandparents' home in Jaunpur, United Province, India on 30 March 1899. The Bandyopadhyay  family's residence was at Purnia, Bihar, India, where his father worked but the family originally hailed from Baranagar, North Kolkata, West Bengal, India. He completed his matriculation in 1915 from a school in Munger. He wrote his first story 'Pretpuri', a Boroda story, when he was only 15 years. After matriculation, he joined the Vidyasagar College, Kolkata. Sisir Bhaduri, the doyen of Bengali stage, was his English professor there. After completing graduation, he went on to study law in Patna. He was only thirty years old when he gave up his practice and started working as a writer. In 1928, Himangshu Roy invited him to Bombay to write screenplays. Till 1952 he wrote films, and then settled down in Pune to pursue a full-fledged career as a writer.\nByomkesh Bakshi is a detective who calls himself Satyanweshi or the truth-seeker. He is known for his proficiency with observation, logical reasoning, and forensic science which he uses to solve complicated cases, usually murders.",
            "raw_bio": "Sharadindu Bandyopadhyay (30 March 1899 – 22 September 1970) was an Indian Bengali-language writer. He was actively involved with Bengali cinema as well as Bollywood. The creator of the Bengali detective Byomkesh Bakshi, Sharadindu composed stories of a wide array of varieties including: novels, short stories, crime and detective stories, plays and screenplays. He wrote historical fiction like Kaler Mandira, Gourmollar (initially named as Mouri Nodir Teere), Tumi Sandhyar Megh, Tungabhadrar Teere, Chuya-Chandan, Maru O Sangha (later made into a Hindi film named Trishagni), Sadashib series and stories of the unnatural with the recurring character Baroda. Besides, he composed many songs and poems. He was born to Tarabhushan and Bijaliprabha Bandyopadhyay at his maternal grandparents' home in Jaunpur, United Province, India on 30 March 1899. The Bandyopadhyay  family's residence was at Purnia, Bihar, India, where his father worked but the family originally hailed from Baranagar, North Kolkata, West Bengal, India. He completed his matriculation in 1915 from a school in Munger. He wrote his first story 'Pretpuri', a Boroda story, when he was only 15 years. After matriculation, he joined the Vidyasagar College, Kolkata. Sisir Bhaduri, the doyen of Bengali stage, was his English professor there. After completing graduation, he went on to study law in Patna. He was only thirty years old when he gave up his practice and started working as a writer. In 1928, Himangshu Roy invited him to Bombay to write screenplays. Till 1952 he wrote films, and then settled down in Pune to pursue a full-fledged career as a writer. Byomkesh Bakshi is a detective who calls himself Satyanweshi or the truth-seeker. He is known for his proficiency with observation, logical reasoning, and forensic science which he uses to solve complicated cases, usually murders.",
            "slug": "sharadindu-bandyopadhyay",
            "DOB": "1899-03-30",
            "DateOfDemise": null,
            "location": "list",
            "url": "/sootradhar/sharadindu-bandyopadhyay",
            "tags": null,
            "created": "2023-09-22T12:18:20.854026",
            "is_has_special_post": false,
            "is_special_author": false,
            "language": 22
        },
        {
            "id": 16466,
            "image": "https://kavishala.blob.core.windows.net/kavishalalabs/kavishala_logo.png",
            "name": "Shirshendu Mukhopadhyay ",
            "bio": "\nShirshendu Mukhopadhyay (Bengali: শীর্ষেন্দু মুখোপাধ্যায়; born 2 November 1935) is a Bengali author from India. He has written stories for both adults and children. He is known for creating the relatively new fictional sleuths Barodacharan, Fatik, and Shabor Dasgupta.\nShirshendu Mukhopadhyay was born in Mymensingh (now in Bangladesh) on 2 November 1935. The Mukhopadhyays were originally from Bainkhara, Bikrampur (now Munshiganj). During partition his family migrated to Kolkata. He spent his childhood in Bihar and many places in Bengal and Assam accompanying his father, who worked in the railways. He passed intermediate from the Victoria College, Koch Bihar before taking a Masters in Bengali from Calcutta University.\nMukhopadhyay started his career as a school teacher and is now on the staff of Anandabazar Patrika at Kolkata. He is associated with the Bengali magazine Desh.",
            "raw_bio": "Shirshendu Mukhopadhyay (Bengali: শীর্ষেন্দু মুখোপাধ্যায়; born 2 November 1935) is a Bengali author from India. He has written stories for both adults and children. He is known for creating the relatively new fictional sleuths Barodacharan, Fatik, and Shabor Dasgupta. Shirshendu Mukhopadhyay was born in Mymensingh (now in Bangladesh) on 2 November 1935. The Mukhopadhyays were originally from Bainkhara, Bikrampur (now Munshiganj). During partition his family migrated to Kolkata. He spent his childhood in Bihar and many places in Bengal and Assam accompanying his father, who worked in the railways. He passed intermediate from the Victoria College, Koch Bihar before taking a Masters in Bengali from Calcutta University. Mukhopadhyay started his career as a school teacher and is now on the staff of Anandabazar Patrika at Kolkata. He is associated with the Bengali magazine Desh.",
            "slug": "shirshendu-mukhopadhyay",
            "DOB": "1935-11-02",
            "DateOfDemise": null,
            "location": "Mymensingh,[1] Bengal Presidency, British India[2][3] (present-day Bangladesh)",
            "url": "/sootradhar/shirshendu-mukhopadhyay",
            "tags": null,
            "created": "2023-09-22T12:18:20.870889",
            "is_has_special_post": false,
            "is_special_author": false,
            "language": 22
        }
    ],
    "description": "<p style=\"text-align: center; font-size: 24px;\"> The Great Poets and Writers in Indian and World History! </p>",
    "image": "https://kavishalalab.s3.ap-south-1.amazonaws.com/sootradhar_description/black.jpg"
}